Teatro Tordinona 2026-2027 Season, September 12, 2026 to May 25, 2027

Teatro Tordinona 2026-2027 Season, at Via degli Acquasparta 16 in the Ponte neighborhood, alternates until May 25, 2027 drama and comedy shows, the 10th edition of the Roma Comic Off festival and two regular series: Letture in scena, devoted to books about theater, music and dance, and Le interviste impossibili, created by Laura De Luca and Renato Giordano. The nearest dates are DIVERSetà and Così, su due piedi on September 29 at 21:00, then Essere o malessere? and the first of Le interviste impossibili, with Antonello Avallone and Giuseppe Pambieri, on Wednesday, September 30 at 21:00. After that come the festival's last comedy monologue on October 2, Francesco Eleuteri's Ostaggi from October 22 to 25 (at 21:00, Sunday at 17:30) and Renato Giordano's Pulcinella, la Luna e... with Gegia on November 14 and 15. The last published date is Le interviste impossibili on Tuesday, May 25, 2027 at 21:00. For the route by public transit, use the Rome transit company's journey planner. Prices aren't listed in the program: ask the theater, at 06 7004932 or tordinonateatro1@gmail.com. Tickets are sold at the theater box office.

Language: performed in Italian. No English version or English surtitles are announced.

The Tordinona season in brief

The official Teatro Tordinona program for the 2026-2027 season has three strands: the shows on the bill in its two halls, Pirandello and Strasberg, the Roma Comic Off festival nights, until October 2, and the Letture in scena and Le interviste impossibili series, which run through the season until May.

The two halls

Tordinona has three rooms: one for exhibitions, Sala Pirandello and Sala Strasberg, named after Lee Strasberg. The shows on the program are split between the last two, often on the same night: on September 23, 24 and 25, for example, the two halls ran in parallel.

What has already been on

The season opened before the festival: on September 12 and 13 A primera vista, based on Angela Tabbì's book of the same name, and from September 15 to 20 Magia per la tempesta. From September 22 Roma Comic Off brought comedy shows and dramatic monologues to the halls.

Contacts

The theater answers at 06 7004932 and tordinonateatro1@gmail.com. The updated program is published on the Teatro Tordinona website.

Roma Comic Off 2026 at Tordinona: the last nights

The 10th edition of the Roma Comic Off festival fills the Tordinona halls from September 22 to October 2, 2026, with comedy shows, comedy monologues and dramatic monologues, almost all at 21:00.

The September nights

The festival opened on September 22 with Felice di essere contenta in Sala Strasberg, repeated on the 23rd, when Tutti a casa arrived in Sala Pirandello. On the 24th, Tutti a casa and the dramatic monologue Barbablù e Barbablù. On the 25th, Figli di Eva and Delirio. On the 26th, Iliade, il sacrificio dell'amore, at 17:30 and 20:45, and Barefoot in the Park. On the 27th at 18:00, the drama ESCURIAL, Doppio gioco.

Tuesday, September 29

At 21:00 in Sala Pirandello, a repeat of DIVERSetà, a comedy already on stage Monday the 28th. At the same time in Sala Strasberg, the comedy monologue Così, su due piedi.

Wednesday, September 30

At 21:00 in Sala Strasberg, the comedy monologue Essere o malessere?. The same night, at 21:00, the Le interviste impossibili series also opens.

Thursday, October 1 and Friday, October 2

On Thursday, October 1 at 21:00, a repeat of Così, su due piedi in Sala Strasberg. On Friday, October 2 at 21:00, again in Sala Strasberg, the last comedy monologue on the program closes the festival's run at Tordinona.

The October and November shows

After the festival, the Tordinona program lists two main titles: Ostaggi, written and directed by Francesco Eleuteri, from October 22 to 25, and Pulcinella, la Luna e... (sogno di ieri), written and directed by Renato Giordano, on November 14 and 15.

Ostaggi

Ostaggi is on from Thursday, October 22 to Sunday, October 25, 2026, at 21:00, with the Sunday performance at 17:30. The script and direction are by Francesco Eleuteri. Four nights in a row: the classic format of the small Roman theater, which lets word of mouth do its work between the first and last performance.

Pulcinella, by and with Renato Giordano

On Saturday, November 14 at 21:00 and Sunday the 15th at 17:30 comes Pulcinella, la Luna e... (sogno di ieri), written and directed by Renato Giordano, who is also on stage with Gegia. It's the house show: Giordano runs Tordinona, and his presence on stage is one of the reasons to come to this theater.

The rest of the season

The published program stops in November for the shows on the bill, while the series continue until May 2027. New titles are usually added during the season: check the theater's website every month.

Letture in scena: the series of theater books

Letture in scena, now in its sixth edition, is the Tordinona series curated by Giulia Mininni and devoted to books about theater, music and dance: five dates from October 2, 2026 to January 17, 2027.

The calendar

On October 2, Tra inferni e paradisi, Vita e teatro di Dario Bellezza, by Marco Beltrame, published by Il Simbolo editore. On October 21, Gabriella Belloni's book, for Compagnie Nuove Indye. On November 5, Mi va di cantare (in italiano), by Gabriele Grasselli, for Coniglio editore. On December 11, Alla ricerca delle radici del tango, by José El De La Quimera, for Compagnia Nuove Indye. On January 17, 2027, Racconti e storie di medicina teatrale, by Renato Giordano, for Armando editore.

Why go

Book presentations in a theater have one advantage over bookstores: the stage. A book about the life and theater of Dario Bellezza, read on a stage, takes on another voice. It's the season's most time-efficient format, and often the most surprising.

Times

The times of the individual readings aren't listed in the published program: ask the theater.

Le interviste impossibili: the series by Laura De Luca and Renato Giordano

Le interviste impossibili, impossible interviews, is the Tordinona 2026-2027 series curated by Laura De Luca and Renato Giordano and directed by Giordano: each night two characters from history, myth or the imagination are interviewed by journalists and writers and played by well-known actors.

September and October

On Wednesday, September 30 at 21:00 Laura De Luca interviews the Scent of a Woman, played by Antonello Avallone, and Renato Giordano interviews Giacomo Casanova, played by Giuseppe Pambieri, with Margherita Patti as Carolina. On Tuesday, October 20 at 21:00 Giovanni Federico interviews Eve, Debora Caprioglio, and Umberto Croppi interviews the Cro-Magnon painter, Elisa Di Eusanio.

November and December

On Sunday, November 22 at 18:00 Andrea Mazzotta interviews Batman, Gaetano Lizzio, and Maurizio Gianotti interviews Television, Alessandra Canale. On Saturday, December 19 at 21:00 Idalberto Fei interviews Geppetto, Luigi Diberti, and Laura De Luca interviews a Comet Star, Milena Vukotic, with Renato Giordano as a homeless man.

January and February 2027

On Saturday, January 23 at 21:00 Ennio Cavalli interviews Alfred Nobel, Sergio Nicolai, and Annamaria Barbato Ricci interviews Luisa Spagnoli, Evelina Nazzari. On Sunday, February 21 at 18:00 Flaminia Bardati interviews Mona Lisa, Arianne Ninchi, and Letizia Leone interviews Johann Sebastian Bach, Emidio La Vella.

March, April and May 2027

On Wednesday, March 24 at 21:00 Mario Avagliano interviews Colonel Montezemolo, Pino Censi, and Laura De Luca interviews Judas, Carlo Valli. On Sunday, April 11 at 18:00 Galatea Vaglio interviews Aphrodite, Micol Pambieri, and Roberto Battiston interviews Galileo, Giancarlo Gori. On Tuesday, May 25 at 21:00 Donatella Bertozzi interviews Terpsichore, Cristina Del Sordo, and Claudia Caldarone interviews the Human Body, Raffaella Castelli and Sebastiano Gavasso, with the Aradanza group directed by Caldarone herself.

A curious fact about Teatro Tordinona 2026-2027 Season, September 12, 2026 to May 25, 2027

The biggest curious fact is the name. Teatro Tordinona on Via degli Acquasparta bears the name of one of the most important theaters in Rome's history, which stood a few steps away, on the bank of the Tiber, and was demolished in 1888. That theater had changed its name several times, ending up officially as Teatro Apollo, but Romans kept calling it Tordinona, and Giuseppe Gioacchino Belli always called it that in his sonnets. Today's hall inherits a name the city never wanted to let go.

The second curious fact is that the first theater was born in a former prison. The building where the first theater opened in the 17th century had belonged to the Orsini family and was used as a prison until 1657. After the Carceri Nuove were built on Via Giulia it was emptied of inmates and turned into an inn, and the inn went bust in 1663 because the area was unsafe.

The third concerns Sala Pirandello. For about 20 years, from the late 1940s to 1968, the whole theater was called Teatro Pirandello, because the Sicilian playwright used to come here. In 1968 the old name was restored, and Pirandello kept one hall: the one where, in the 2026-2027 season, DIVERSetà, Tutti a casa and Barefoot in the Park are staged.

Teatro Tordinona: the venue's history

Teatro Tordinona, at Via degli Acquasparta 16, is the heir of a theater born in 1670 at the wish of Queen Christina of Sweden, rebuilt three times and demolished in 1888. The current hall reopened in the early 1930s, at the back of the building of the Istituto Autonomo Case Popolari, the public housing agency.

The first theater, 1670-1697

Christina of Sweden asked her secretary, Count Giacomo d'Alibert, to obtain the Tor di Nona building from Pope Clement IX. The work was entrusted to Carlo Fontana: a U-shaped, Italian-style hall of about 16 by 22 meters, with six tiers of boxes, entirely in wood, decorated by the painters Magno and Jovanelli and reachable both by land and by river. The opening, in spring 1670, was entrusted to Tiberio Fiorilli. Closed in 1675 for the Jubilee and reopened in 1690, the theater was demolished in 1697 on the orders of Innocent XII.

The second theater, 1733-1781

Clement XII had it rebuilt at the expense of the Papal States, with an almost circular plan and four tiers of boxes. Opened on January 12, 1733 with the opera Coralbo, in 1735 it hosted the world premiere of Giovanni Battista Pergolesi's L'Olimpiade. On January 29, 1781 a fire destroyed the all-wood structure.

Teatro Apollo, 1795-1888

The third theater, designed by Felice Giorgi after a collapse during construction, was ready in 1795 under the name Teatro Apollo. In 1831 the owner, Alessandro Torlonia, commissioned a new neoclassical facade from Giuseppe Valadier, and the program moved from drama to opera: Bellini, Donizetti, Verdi. In 1870 a royal box was added for Victor Emmanuel II. In 1888 the works on the Tiber embankments forced its demolition.

The hall on Via degli Acquasparta

The Istituto Autonomo Case Popolari committed to rebuilding the theater nearby and keeping its name alive. In the early 1930s Tordinona reopened on Via degli Acquasparta, at the back of the building designed by Calza Bini. Today it's run by Renato Giordano.

Something nobody tells you about Teatro Tordinona 2026-2027 Season, September 12, 2026 to May 25, 2027

What nobody tells you is that today's Tordinona isn't the Tordinona of the history books. If you arrive on Via degli Acquasparta expecting gilded boxes and a Valadier facade you'll be disappointed: that theater was torn down in 1888. The current hall is a 20th-century theater, built at the back of a public building, with the dimensions of a contemporary drama venue. Its value lies elsewhere: in the continuity of a name, and in a busy program of companies, writers and actors who wouldn't find room in bigger theaters.

The second thing is that the program reads better hall by hall. On Roma Comic Off nights, Sala Pirandello and Sala Strasberg often run at the same time, at 21:00, with different shows. Before you leave home, check which hall your show is in, and tell the box office.

The third is that prices aren't published in the online program. That's not unusual for a venue this size: call 06 7004932 or write to tordinonateatro1@gmail.com. For Le interviste impossibili, with names like Giuseppe Pambieri, Milena Vukotic, Luigi Diberti and Debora Caprioglio, booking a few days ahead is wise.

How to get to Teatro Tordinona

Teatro Tordinona is at Via degli Acquasparta 16, postal code 00186, in the Ponte neighborhood, a short distance from Lungotevere Tor di Nona, where the historic theater stood.

By public transit

The historic center is served mainly by buses running along the Lungotevere and Corso Vittorio Emanuele II. Lines and stops change often, also because of construction work: for the exact route from your starting point, use the Rome transit company's journey planner, setting Via degli Acquasparta as your destination.

On foot

The Ponte neighborhood is easy to cross on foot. If you're coming from Piazza Navona or Castel Sant'Angelo, you can reach the theater strolling through the streets of the historic center: it's the best way to arrive for an evening at Tordinona.

By car

The historic center is a limited traffic zone, and parking in the streets around the theater is nearly impossible. Driving isn't recommended.

My tip for Teatro Tordinona 2026-2027 Season, September 12, 2026 to May 25, 2027

My tip is to make Le interviste impossibili your thread through the season. There are nine evenings, one a month from September to May, each with two characters and two actors, and a simple, happy theatrical idea: giving a voice to those who can no longer speak, or who never spoke at all. An ideal subscription, though not an official one, to a regular date all year round.

If I had to pick just one night, in our opinion it would be Saturday, December 19 at 21:00: Luigi Diberti as Geppetto, interviewed by Idalberto Fei, and Milena Vukotic as a Comet Star, interviewed by Laura De Luca, with Renato Giordano on stage as a homeless man. It's a Christmas evening in the best sense, far from the clichés.

My second tip concerns the days. Many dates fall on Sunday afternoon, at 17:30 or 18:00: Ostaggi on October 25, Pulcinella on November 15, and the interviews on November 22, February 21 and April 11. They're ideal if you don't like getting home late, and they leave time for a walk in the historic center before the show.

The third: call. The online program doesn't list prices or all the times. A call to 06 7004932 sorts out in a minute what no website will tell you.

Renato Giordano, the director on stage

Renato Giordano runs Teatro Tordinona and in the 2026-2027 season he plays several roles: writer and director of Pulcinella, la Luna e..., curator with Laura De Luca and director of Le interviste impossibili, and author of a book presented at Letture in scena.

Writer, director, actor

On November 14 and 15 Giordano is on stage with Gegia in Pulcinella, la Luna e... (sogno di ieri), which he wrote and directed. On December 19 he appears in Le interviste impossibili as a homeless man, alongside Milena Vukotic. On September 30 he interviews Giacomo Casanova, played by Giuseppe Pambieri.

Theatrical medicine

On January 17, 2027 Letture in scena presents his book Racconti e storie di medicina teatrale, published by Armando editore. The title says a lot about an idea of theater as a cure, not just as entertainment.

The fight for the hall

Since 2007 Tordinona has risked closing because the lease to the association run by Giordano wasn't renewed, as Corriere della Sera reported on April 3 of that year. The fact that in 2026 the hall offers a nine-month season is news in itself.

Another well-known fact, yet one rarely mentioned

It's well known that in the 19th century Rome was one of the capitals of Italian opera. It's mentioned less often that two of Giuseppe Verdi's most performed works had their world premieres right here at Tordinona, then Teatro Apollo: Il trovatore on January 19, 1853 and Un ballo in maschera on February 17, 1859. In the same theater, on February 24, 1821, Gioachino Rossini's Matilde di Shabran had premiered, conducted by Niccolò Paganini. And on February 11, 1841, Gaetano Donizetti's Adelia, with Giuseppina Strepponi.

A second well-known fact is that for centuries, in papal Rome, theater was a suspect activity, usually allowed only during Carnival. Less often mentioned is how much this distrust marked the history of Tordinona: closed for the 1675 Jubilee and left idle for 16 years, then demolished in 1697 on the orders of Innocent XII, a pope hostile to the theater. It was another pope, Clement XII, who had it rebuilt in 1733.

The third fact concerns women on stage. Under the direction of Filippo Acciaiuoli, a regular in Christina of Sweden's salon, between 1671 and 1674 women performed on the Tordinona stage, at a time when this was far from a given in Rome. Sources don't agree on this point: historian Willy Pocino, based on the diary of Abbot Benedetti, places the first female presence on Roman stages in 1798, with Susanna Banchieri, Maria Concetta Matrilli and Anna Priori.

The Ponte neighborhood around Tordinona

Teatro Tordinona is in the Ponte neighborhood, between the Tiber and Piazza Navona, one of the most beautiful parts of the historic center to explore on foot before or after the show.

Lungotevere Tor di Nona

On Lungotevere Tor di Nona a commemorative stele, placed in 1925 with an inscription by Fausto Salvatori, marks the spot where the historic theater demolished in 1888 stood. Looking for it before you go in is the best way to understand what you're about to see.

Ponte Sant'Angelo and Via Giulia

A short distance away are Ponte Sant'Angelo and, on the other side of the neighborhood, Via Giulia, the street of the Carceri Nuove that made the old Tor di Nona prison redundant.

Museums nearby

If you arrive in the afternoon, Palazzo Altemps and the excavations of the Stadium of Domitian under Piazza Navona are two good visits before an evening at the theater.

The right photo to take at Teatro Tordinona 2026-2027 Season, September 12, 2026 to May 25, 2027

The right photo isn't taken in the hall: during shows, as in every theater, phones off. It's taken outside, and the best one is on Lungotevere Tor di Nona, in front of the 1925 stele marking the demolished theater. Frame it with the Tiber behind: it's the only visible trace of a theater where Il trovatore and Un ballo in maschera premiered, and most passersby don't notice it.

The second photo is the entrance on Via degli Acquasparta, with the Tordinona name: the 20th-century hall that took over the legacy of the 17th-century one. Side by side, the two images tell three and a half centuries of theater in a few hundred meters.

The third, if you come to Le interviste impossibili, is after the show, if the actors stop to greet the audience. Always ask permission: in a hall this intimate, the relationship with the artists is direct, and it's one of the reasons to come. A photo with Milena Vukotic after the Comet Star, or with Giuseppe Pambieri after Casanova, is worth more than any stage shot.

Where to eat before or after Tordinona

The Ponte neighborhood and the streets around Piazza Navona offer trattorias, pizzerias and wine bars at every price point, a few minutes' walk from Teatro Tordinona.

Before 21:00

With evening shows at 21:00 there's time for an early dinner, around 19:15. In the historic center it's best to book, especially on Fridays and Saturdays.

After the Sunday matinees

The Sunday performances at 17:30 and 18:00 end at aperitivo time: the best moment for a stroll toward Campo de' Fiori and an unhurried dinner.

A matter of style

The historic center has many places designed for tourists. The rule is simple: move a few streets away from the most famous squares.

Some important events that happened here in history

The history of Tordinona begins in 1670, when Christina of Sweden obtains for her secretary d'Alibert the Tor di Nona building, formerly a prison and then an inn, and Carlo Fontana turns it into a theater. In 1671 it hosts the world premieres of two operas by Alessandro Stradella, Amanti, che credete and Chi mi conoscerà, and of Filippo Acciaiuoli's Il novello Giasone e Scipione Africano. In 1672 comes another Stradella premiere, and in 1673 Bernardo Pasquini's L'Alcasta.

On January 12, 1733 the second theater opens with Coralbo, and in 1735 Pergolesi's L'Olimpiade premieres there. On January 29, 1781 a fire destroys it, and Giuseppe Carletti turns the event into a mock-heroic poem, L'incendio di Tordinona. Teatro Apollo opens in 1795, and on February 24, 1821 Paganini conducts the premiere of Rossini's Matilde di Shabran.

On January 19, 1853 Verdi's Il trovatore premieres, and on February 17, 1859 Un ballo in maschera. In 1870 a royal box is added for Victor Emmanuel II. In 1882 comes the premiere of Donizetti's Le duc d'Albe, and in 1887 Stanislao Falchi's Giuditta. In 1888 the theater is demolished for the Tiber embankments. In the early 1930s the hall reopens on Via degli Acquasparta, and from the late 1940s to 1968 it's called Teatro Pirandello.

Who has passed through Teatro Tordinona 2026-2027 Season, September 12, 2026 to May 25, 2027

The historic Tordinona saw Christina of Sweden, who wanted it, Carlo Fontana, who built it, Tiberio Fiorilli, who opened it, Alessandro Stradella and Bernardo Pasquini, who premiered their operas there, and Giovanni Battista Pergolesi with L'Olimpiade. Then, at Teatro Apollo, Gioachino Rossini and Niccolò Paganini, Gaetano Donizetti, Giovanni Pacini with Il corsaro and Furio Camillo, Giuseppe Verdi with Il trovatore and Un ballo in maschera, and singers like Giuseppina Strepponi, Carolina Ungher, Gaetano Fraschini and Leone Giraldoni. Giuseppe Gioacchino Belli mentioned it in his sonnets, and Giuseppe Valadier designed its facade.

The hall on Via degli Acquasparta saw Luigi Pirandello, whose visits gave it its name for 20 years. Today it's run by Renato Giordano.

In the 2026-2027 season Tordinona welcomes the Roma Comic Off companies, Francesco Eleuteri with Ostaggi, Gegia with Giordano in Pulcinella, the authors of Letture in scena, from Marco Beltrame to Gabriella Belloni, and the actors of Le interviste impossibili: Antonello Avallone, Giuseppe Pambieri, Margherita Patti, Debora Caprioglio, Elisa Di Eusanio, Gaetano Lizzio, Alessandra Canale, Luigi Diberti, Milena Vukotic, Sergio Nicolai, Evelina Nazzari, Arianne Ninchi, Emidio La Vella, Pino Censi, Carlo Valli, Micol Pambieri, Giancarlo Gori, Cristina Del Sordo, Raffaella Castelli and Sebastiano Gavasso. For a venue this size, that list says a lot.

Accessibility and practical information

For accessibility at Teatro Tordinona, the contact is the theater itself, at 06 7004932 or tordinonateatro1@gmail.com, when you book.

The halls

Information on entrances, stairs and reserved seats isn't published in the online program. If you have mobility needs, mention them in advance, including the hall of the show you've chosen.

With teens

Some of Le interviste impossibili, like the ones with Galileo, Bach or Mona Lisa, are a good way to bring students and teens to the theater: history and culture told with a light touch, in just over an hour.

A season from September to May: how to plan

The Tordinona 2026-2027 season covers nine months, from late September to late May, and lends itself to one date a month, following the thread of Le interviste impossibili and Letture in scena.

Fall

Between September and November the program is busiest: the last Roma Comic Off nights, Ostaggi, Pulcinella, three readings and three interviews. It's the time if you want to see a lot in a few weeks, with evenings still mild enough for a walk along the Lungotevere after the show.

Winter

December and January bring the tango reading on December 11, the interview with Geppetto and the Comet Star on December 19, Renato Giordano's book on January 17 and the interviews with Alfred Nobel and Luisa Spagnoli on January 23. Evenings suited to anyone looking for an alternative to the big holiday shows.

Spring

From February to May come the interviews with Mona Lisa and Bach, Montezemolo and Judas, Aphrodite and Galileo, Terpsichore and the Human Body. New shows will be added to the program during the year on the theater's website.

Frequently asked questions about the Teatro Tordinona season

Where is Teatro Tordinona?

Teatro Tordinona is at Via degli Acquasparta 16, 00186 Rome, in the Ponte neighborhood of the historic center, near Lungotevere Tor di Nona, where the historic theater demolished in 1888 stood. The theater answers at 06 7004932 and tordinonateatro1@gmail.com.

How much are tickets at Teatro Tordinona?

Prices for the Teatro Tordinona 2026-2027 season aren't published in the online program. Ask the theater, by phone at 06 7004932 or by email at tordinonateatro1@gmail.com, giving the show and the date. For Le interviste impossibili nights it's wise to book ahead.

When are Le interviste impossibili at Tordinona?

Le interviste impossibili at Teatro Tordinona are nine evenings: September 30, October 20, November 22 and December 19, 2026, then January 23, February 21, March 24, April 11 and May 25, 2027. They start at 21:00, or at 18:00 on Sundays.

What is Roma Comic Off at Teatro Tordinona?

Roma Comic Off is a festival of comedy shows and monologues, in its 10th edition in 2026, held at Teatro Tordinona from September 22 to October 2 in Sala Pirandello and Sala Strasberg. The last nights are September 29 and 30 and October 1 and 2, always at 21:00.

When is Ostaggi on at Tordinona?

Ostaggi, written and directed by Francesco Eleuteri, is on at Teatro Tordinona from Thursday, October 22 to Sunday, October 25, 2026. Shows start at 21:00, on Sunday at 17:30.

Why is the theater called Tordinona?

Teatro Tordinona takes its name from the historic Tor di Nona theater, born in 1670 at the wish of Christina of Sweden in a former prison on the Tiber and demolished in 1888. The current hall on Via degli Acquasparta, opened in the early 1930s, inherited the name. From the late 1940s to 1968 it was called Teatro Pirandello.

Which operas premiered at Teatro Tordinona?

The historic Tordinona, then called Apollo, hosted the world premieres of Verdi's Il trovatore in 1853 and Un ballo in maschera in 1859, and before that Rossini's Matilde di Shabran in 1821 and Pergolesi's L'Olimpiade in 1735. The building was demolished in 1888.

Final tip on Teatro Tordinona 2026-2027 Season

Standing in front of the stele of the vanished theater, on Lungotevere Tor di Nona, you naturally wonder where people go to the theater around here today. The answer is a few steps away, on Via degli Acquasparta. My tip is clear: pick one of Le interviste impossibili, call the theater for price and seat, arrive half an hour early and stop by to see the stele on the Lungotevere. Then walk into a small hall that carries a big name.

Article written by the editorial team of Tour Leader Pro, contact them for Private/Corporate/V.I.P. Tours and Experiences.

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