Valentina Persia Nata con la Guêpière at Auditorium Conciliazione, March 8, 2027

Valentina Persia Auditorium Conciliazione, Rome: Nata con la Guêpière, her new one-woman show, is on Monday, March 8, 2027, starting at 21:00, at Via della Conciliazione 4 (00193 Rome). You get there by metro A, stop Ottaviano or Lepanto, and then on foot through Borgo or Prati in a quarter of an hour. The closest surface stop is Traspontina, about 60 meters from the entrance. Prices are published by the authorized reseller indicated by the organizers. Tickets are bought from the official Auditorium Conciliazione website, which links from the show page to the authorized presale network.

Language: performed in Italian. No English version or English surtitles are announced.

A Roman comedian, born as a dancer at the Terme di Caracalla, who comes back to her city with a show about turning 50, on the evening of International Women's Day, in a hall with more than 1,700 seats half a kilometer from St. Peter's. Put that way it sounds like a calendar gimmick. In reality it is the most exact summary of Valentina Persia, who for 30 years has been making people laugh starting from herself. The verdict is simple: for a night out with friends on March 8, in Rome, it's hard to find a more on-target offer.

Valentina Persia at Auditorium Conciliazione: date, time, tickets

Valentina Persia's Nata con la Guêpière is on stage at Auditorium Conciliazione on Monday, March 8, 2027, for a single performance, starting at 21:00. It is the Rome date of the tour that began in the summer of 2026.

One night only

The hall's official calendar lists a single date, March 8. There are no Rome repeat performances announced: anyone who wants to be there has to plan ahead, because a single date by a very television-famous comedian, on a symbolic evening, tends to fill the orchestra section before the others.

The start time

The presale network gives the start at 21:00. For Auditorium Conciliazione the rule of big halls applies: the doors open earlier, and with more than 1,000 people to seat it's best to be on Via della Conciliazione at least half an hour before the start.

Where to buy tickets

The show page on the Auditorium Conciliazione website has a Tickets button that leads to purchase on the network authorized by the organizers. It is the route to follow: secondary resellers with inflated prices circulate online, and for a single date the risk of running into them is higher than usual.

Prices

Rates by section are published by the authorized reseller. In a hall like this the difference between the orchestra and the gallery is significant: it's best to compare sections before deciding, keeping in mind that for a spoken show closeness to the stage matters more than the set.

Nata con la Guêpière: what it's about

Nata con la Guêpière is a one-woman show in which Valentina Persia, past the age of 50, questions destiny and retraces memories, loves, mistakes, missed dreams and unexpected milestones. That is how the official Auditorium Conciliazione page presents it.

The follow-up to Ma che te ridi?!

The show comes after the success of Ma che te ridi?!, Persia's previous theater work, toured in the 2024 and 2025 seasons and also turned into a television special on Nove. Anyone who saw it will find the same voice, the same restrained Roman dialect, the same taste for the anecdote. The theme, though, shifts from laughter itself to the balance sheet of a life.

Anecdotes, observations, emotion

The official presentation speaks of previously untold anecdotes, sharp observations and moments of genuine emotion. Persia tells her own story and, at the same time, that of a whole generation grappling with the changes in society and with small everyday follies. It is the formula of autobiographical comedy, which works only when the person speaking really has something to tell. Here the material is not lacking: dance, television, reality shows, cooking, the family from Abruzzo.

The title

The guêpière is a woman's corset, tight at the waist, that takes its name from the wasp, guêpe in French: it is the garment that shapes the wasp waist. Being born with the guêpière means, in the irony of the title, having come into the world already squeezed into a model to live up to. The presentation closes with a line that is the key to the show: to face life irony isn't enough, sometimes you also need a good corset.

The writing

The tour presentations say the show is written by Valentina Persia with Alessandro Clemente. The question everything starts from is simple and a little cruel: at 50, has destiny been fair or not? The answer, as is right in a one-woman show, is given by the evening.

Who Valentina Persia is: biography

Valentina Persia was born in Rome on October 1, 1971, to a family originally from San Vincenzo Valle Roveto, in the province of L'Aquila. A comedian, cabaret performer and actress, she started as a dancer and became known on television with La sai l'ultima?.

Dance and Caracalla

Valentina Persia's first stage is that of the Baths of Caracalla, in 1985, during the summer season of opera and ballet. In 1990 she graduated as a solo dancer from the Accademia nazionale di danza. It is a fact that explains a lot about her way of being on stage: the command of the body, the timing, the physicality of the punchline come from a rigorous school, even before cabaret.

La sai l'ultima? and Garinei's school

In 1994 she debuted as a comedian in La sai l'ultima?, the joke program hosted by Pippo Franco on Canale 5, and reached the final. In 1995 she earned her acting diploma at Ribalte, the school directed by Pietro Garinei, that is, by the man who with Giovannini invented Italian musical comedy. From 1998 to 2002 she was part of the regular cast of La sai l'ultima?, the program that launched her as a cabaret performer.

Variety television

In the following years Persia went through all of Italian variety: Saxa Rubra on Rai 3 with Zuzzurro and Gaspare, Sotto a chi tocca, again with Pippo Franco, Ci vediamo on Rai 1 by Paolo Limiti in 2001 and 2002, Come sorelle with Fabrizio Frizzi and La sai l'ultimissima? with Pippo Franco and Natalia Estrada in 2003, Tintarella di luna on Rai 2 in 2007. With the Bagaglino company, directed by Pier Francesco Pingitore, she took part in E io pago in 2007 and in Gabbia di matti in 2008.

Fiction

Alongside variety, acting. In 2007 she was in the cast of Caterina e le sue figlie 2, next to Virna Lisi, Giuliana De Sio, Iva Zanicchi and Alessandra Martines. In 2010 she returned in the third series in the role of Giuseppa, known as Pina, one of the antagonists. In 2009 she acted in L'onore e il rispetto, part two. In film she is seen in Teste di cocco in 2000, in Carlo Vanzina's Buona giornata in 2012, in the episode with Christian De Sica, and in Il vuoto in 2023.

Theater

In 2006 she was the lead at Teatro Parioli in Rome in Ah Valentina vestita di nuovo, a comedy written for her. In the same season she acted in Bravi a letto with Antonio Giuliani and Eva Grimaldi, and in 2007 she returned with Giuliani and Cosima Coppola in Odio il rosso. In 2013 she is in Gianni Guardigli's Maria Stunata. Then, after the years of great television popularity, came the one-woman shows: Ma che te ridi? in 2024 and 2025, Nata con la Guêpière from 2026.

The second wave of popularity

In 2021 she took part in the 15th edition of L'Isola dei famosi and came in second. Tale e quale show on Rai 1 followed, from 2022, with the tournament and the edition dedicated to Sanremo. From 2022 she is in the cast of Only Fun, Comico Show on Nove. In 2024 came Le ricette di casa Persia, L'Abruzzo a modo mio on Food Network, and the special of Ma che ti ridi?! in the Nove Comedy Club. In January 2025 she debuted on Nove with Sinceramente Persia, One Milf Show, which in the fall of the same year became a four-episode program. In November 2025 she sat on the jury of the Zecchino d'Oro.

Valentina Persia's style

Valentina Persia's comedy is born from the television joke and from Bagaglino variety, and in recent years has shifted toward autobiographical storytelling. It is the path that leads to Nata con la Guêpière.

From the joke to the monologue

The joke is a closed mechanism: setup, development, punchline. The autobiographical monologue is the opposite, because the line comes from the truth of the person speaking. Persia has done the whole journey, and you can hear it: she keeps the sense of comic timing from the school of La sai l'ultima?, but puts it at the service of a personal story.

The dancer's body

Anyone who has seen her live knows it: Persia uses her body like few Italian comedians. The solo diploma from the Accademia nazionale di danza is not a colorful note in a biography, it is a technique. A pause, a glance, a held-back gesture are worth a punchline.

Her Roman roots

Persia's Roman dialect is measured, never caricatured. In front of the home audience, in a hall in Borgo, that cadence becomes complicity. It is one of the reasons why the Rome date of a national tour always has a different flavor.

Auditorium Conciliazione, the hall of Nata con la Guêpière

Auditorium Conciliazione, inaugurated in 1950, is at number 4 on Via della Conciliazione, in the Borgo district, and its Sala Grande reaches 1,756 seats: for a one-woman show it is an enormous orchestra section. The venue page is Auditorium Conciliazione.

The Sala Grande

The venue presents it as completely renovated and with acoustics it claims are impeccable. The walls are covered with relief-worked wooden panels, which break up the surfaces and distribute the sound. For a show in which a single voice has to reach the last row, it is the condition that counts.

A hall that changes its skin

In the venue's own account the Auditorium is a place of culture that over the years has opened to every contemporary language: dance, music, visual arts, cinema, conferences. In the same season as Persia it hosts singer-songwriters, magic, musicals, Chinese dance and other comedians. It is a hall without awe, and the audience of a one-woman show feels at home in it.

The facade

From outside the building is in light-colored stone, aligned with the other wings of Via della Conciliazione. On the crown there is a sculptural group with two winged figures at the sides of a coat of arms, and below a Latin inscription in capital letters. Almost nobody looks at it, because eyes run toward the dome at the end of the street.

The spaces next to the hall

Besides the Sala Grande, the venue has the Buvette, a space of about 20 seats for private meetings, the Chorus Cafè, the internal bar restaurant, and an art gallery, Visionarea Art Space, dedicated to photography and installations. Theater, cinema, art and dining in the same building: it is rare, in the center of Rome.

How to get to Auditorium Conciliazione for Valentina Persia

For Auditorium Conciliazione the venue indicates metro A, getting off at Ottaviano or Lepanto. From Ottaviano to the entrance at Via della Conciliazione 4 it is a quarter of an hour on foot, on the flat, through Borgo.

Metro A, Ottaviano

From Ottaviano station, on Viale Giulio Cesare, you go down toward Piazza del Risorgimento, follow the Vatican walls and enter Borgo from Borgo Pio or from Via di Porta Angelica. Around the station there are the construction sites of line C: the pedestrian routes may change, and it's best to follow the temporary signs.

Metro A, Lepanto

From Lepanto the walk is about a kilometer and crosses Prati: Piazza Cavour with the Palazzo di Giustizia, then Piazza Adriana, behind Castel Sant'Angelo, and finally Via della Conciliazione. It is the right route for anyone who wants to have dinner along the way.

Bus and tram

The closest ATAC stop is Traspontina, about 60 meters from the entrance. The tram arrives at Ottaviano, on Via Barletta, next to the metro. In the evening routes and frequencies change: lines should be checked on the stop sign or on the transport company's website the same day.

By car and parking

The center is protected by limited traffic zone gates, and the last stretch toward the hall passes through Piazza Adriana. The venue indicates four paid parking options: Piazza Cavour, about 9 minutes on foot. Piazza Adriana, about 6 minutes. The Terminal Vaticano at Via Urbano VIII 16, about 5. The Parking Gran Melia at Via del Gianicolo 2, about 8. On Monday night traffic is lighter than on the weekend, but Piazza Adriana is still the first to fill up.

From Termini and the airports

From Termini you take metro A in the direction of Battistini to Ottaviano. From Fiumicino the venue suggests the Leonardo train to Termini, about half an hour, and then the same metro. Anyone coming from outside Rome for the single date can arrive the same day and leave the next morning.

Where to sit for Valentina Persia

For Nata con la Guêpière the best seats are in the orchestra, in the central part: in a show of pure speech and mime, the distance from the stage is the variable that changes the evening most.

The orchestra

The first central rows let you catch every expression. Anyone who doesn't like being drawn in should know that comedians with a variety background gladly address whoever sits in front: the central rows are the best compromise.

The farthest sections

In a hall with 1,756 seats the last rows are really far away. For a concert acoustics matter most. For a one-woman show seeing the face matters too. If the budget allows, it's better to move up a section.

A curiosity about Valentina Persia Nata con la Guêpière at Auditorium Conciliazione, March 8, 2027

The most obvious curiosity is the date. Valentina Persia's Rome show falls on March 8, International Women's Day, and a show that tells of a 50-year-old woman among loves, mistakes and milestones, with a corset in the title, could hardly have found a more fitting evening. Mimosas, in Rome, are bought that day on every street corner, even in Borgo.

The second curiosity is a coincidence of stages. Valentina Persia started as a girl, in 1985, in the opera and ballet season at the Terme di Caracalla: her first Roman audience was that of an open-air theater among the ruins of the imperial baths. 40 years later, she comes back to Rome in an indoor hall a few steps from St. Peter's. Between the two stages lies the whole history of Roman entertainment, and her whole career.

The third concerns the title. The guêpière is a garment with a precise history: the short corset that shapes the wasp waist, back in fashion in the second half of the 1900s. For a comedian who did the Bagaglino, with its soubrettes in costume, and who today jokes about her own body at 50, choosing precisely that garment is a small statement of poetics: constriction becomes a punchline.

Something nobody tells you about Valentina Persia Nata con la Guêpière at Auditorium Conciliazione, March 8, 2027

What nobody says is that March 8 in Rome is a complicated evening for eating out. Restaurants and pizzerias are stormed by dinners among friends, and the areas closest to the Auditorium, Borgo and Prati, are no exception. If your plan is dinner and a show, book the table at the same moment you buy the tickets, and choose an early time, around 19:00, to get to the hall unhurried.

The second thing concerns the audience. A comedian this popular on television brings to the hall spectators who rarely go to the theater: women who have followed her since La sai l'ultima?, families who know her from L'Isola dei famosi or Tale e quale show, kids who discover her on social media. It's a warm and noisy audience, which applauds mid-scene. Anyone looking for the solemn silence of drama has picked the wrong evening. Anyone who wants to laugh in company has found the right one.

The third is practical: on Monday night metro A, after 23:00, is much less crowded than on the weekend. On leaving the hall it's best to head straight for Ottaviano, without lingering too long on Via della Conciliazione, or to arrange the trip back in a booked taxi.

My advice for visiting Valentina Persia Nata con la Guêpière at Auditorium Conciliazione, March 8, 2027

Arrive on foot from the Tiber, not from the metro. Get off at Lepanto, cross Prati to Piazza Cavour, go around the illuminated Castel Sant'Angelo and enter Via della Conciliazione from Piazza Pia, with the dome of St. Peter's ahead of you. It is the same road thousands of tourists take every day, but in the evening, in March, it is almost empty. It takes 20 minutes, and arriving at the hall after that walk changes the mood of the evening.

Second piece of advice: make the date a group evening. Nata con la Guêpière is a show you enjoy more in the company of people who are Persia's age and share her memories: the jokes about 1990s television, about diets, about wrong boyfriends work better if the person next to you lived them. Buy the tickets together, in the same section, and choose the central orchestra.

Third: don't try to watch the show through your phone screen. Persia's comedy lives on mime and pauses, and a stolen video gives back nothing. A photo in Piazza Pia, before or after, tells the evening much better.

Another well-known fact, yet rarely mentioned

It's well known that Auditorium Conciliazione looks onto the street that leads to St. Peter's. It is remembered much less that the same hall, besides comedians and singers, has for years hosted film previews, festivals and institutional events: the world premiere of Mission: Impossible, Dead Reckoning Part One in 2023, the 21st edition of Alice nella Città from October 18 to 29 of the same year, the Stati Generali della Natalità for three consecutive editions.

For anyone going to see Valentina Persia the fact has a concrete consequence. A hall that screens film previews and hosts conferences is built for frontal listening: visibility from the seats, a sound system able to carry the voice to the back, entry and exit times tested on full audiences. These are the ideal conditions for a lone comedian on stage.

Then there is a second fact, little cited, that concerns the star. Everyone remembers Valentina Persia as the girl of the Canale 5 jokes. Few know that her acting diploma comes from the Ribalte school directed by Pietro Garinei, the father of Italian-style musical comedy, that of the Sistina and of Rugantino. The television comedian has top-quality theater training, and you can see it in how well a solo show holds up in a hall of this size.

The right photo to take at Valentina Persia Nata con la Guêpière at Auditorium Conciliazione, March 8, 2027

The right photo is taken on Via della Conciliazione, in front of the Auditorium, with the dome of St. Peter's in the background. It is the only theater in Rome that offers this framing: the name of the show on the bill and, at the end of the street, the illuminated basilica. In the evening, in March, the light of the dome and that of the hall's windows balance well even with a phone.

For a March 8 evening there is then an almost obligatory photo: a sprig of mimosa in hand, the show ticket and the group of friends in front of the entrance. It seems like a banal image, but it tells exactly the evening, and in 10 years it will be the one you'll gladly look at again.

A third shot is taken from Ponte Sant'Angelo, with Castel Sant'Angelo lit up and the statues of the angels standing out against the dark sky. It is five minutes on foot from the hall. Inside, during the show, the phone stays off: it is a rule of respect toward the person alone on stage.

Some important events that happened here in history

Auditorium Conciliazione opened in 1950 and in more than 70 years has gone from a traditional place of culture to a hall open to every contemporary language. Some recent episodes, documented by the venue, measure its weight in the life of the city.

In 2023 the Auditorium hosted the world premiere of Mission: Impossible, Dead Reckoning Part One. In the same fall it welcomed the 21st edition of Alice nella Città, as part of the Rome Film Festival. For the third consecutive year it had hosted the Stati Generali della Natalità, an institutional event that confirms the hall's double nature, theater and conference center.

2024 opens with Supermagic XX, the 20th edition of what the venue presents as the biggest magic show in Europe, from January 25 to February 4, preceded by four nights of Queen at the Opera. On March 8, 2024, exactly three years before Valentina Persia's date, the hall hosts the evening of LAZIOSound, the Lazio Region's program for young musicians, with Noemi and Federica Carta. From January 16 to February 16, 2025, the Jubilee year, the Auditorium keeps on stage for a month Bernadette de Lourdes, a musical about the Marian apparitions with music by Grégoire and direction by Serge Denoncourt, offered in Rome only here. And Mozart's Magic Flute in Europa InCanto's educational version, recognized by the Ministry as a project of excellence, has brought thousands of students to the hall. A hall that welcomes in the same year a Hollywood premiere and an opera for kids is a theater at the service of the city.

Who has passed through Valentina Persia Nata con la Guêpière at Auditorium Conciliazione, March 8, 2027

Before Valentina Persia, the stage of Auditorium Conciliazione has seen comedians and entertainers such as Pio and Amedeo, on March 4, 5 and 6, 2024 with Felicissimo show, and Alessandro Cattelan, who brought Salutava sempre here on April 6, 2023. In fall 2026 the hall welcomes Enrico Brignano with Bello di mamma!, from November 10 to 22.

Song has left important traces. Vinicio Capossela presented Tredici canzoni urgenti in teatro here on October 13 and 14, 2023. In the spring of the same year came the Fast Animals and Slow Kids, Franco Ricciardi with the Je Tour, Paola e Chiara with the Per Sempre Tour. The Orchestra Italiana del Cinema, 80 members, played the soundtrack of Pirates of the Caribbean live during the screening of the film, for the Roma Film Music Festival. On January 12, 2026 Diana Del Bufalo presented Tra sogni e desideri here.

The 2026/2027 season lines up Aldo Cazzullo with Angelo Branduardi, Sal Da Vinci, Coez, Malika Ayane, Brunori Sas, Francesca Michielin, the musical Gloria between December and January and Shen Yun in February. In the weeks of Persia comedy is at home: right after her, from March 12 to 14, comes Alessandro Siani, and on March 19 Luca Ravenna. In this list Valentina Persia is the female voice of the season's comedy, and on the evening of March 8 her name joins that of those who have filled this hall with the sheer power of words.

Accessibility at Auditorium Conciliazione

For tickets intended for people with disabilities, Auditorium Conciliazione asks you to write to info@auditoriumconciliazione.it or to call 06 684391, when the show page doesn't give a specific channel: for a single date it is the first thing to do.

Getting there without barriers

Of the two stations indicated by the venue, Ottaviano is equipped for wheelchairs, Lepanto is not. The Traspontina stop and the tram stop on Via Barletta are accessible. The route from Ottaviano is flat but crosses busy intersections and construction stretches: with a manual wheelchair it's better to have a companion or to take a taxi to the door.

Inside the hall

The location of reserved seats and the services should be confirmed with the venue. Anyone with hearing difficulties should choose the first central rows: in a spoken show it makes all the difference.

With kids

The hall gives no age limits. The themes, though, are those of a 50-year-old woman: loves, mistakes, a changing body, balance sheets. A teenager will laugh at many of the jokes. A small child will be bored. It is an evening for adults, to spend with friends rather than with children.

Borgo and Prati around Auditorium Conciliazione

Auditorium Conciliazione sits between Castel Sant'Angelo, about 230 meters away, and Piazza San Pietro, a little over half a kilometer: anyone who arrives an hour early has two of the most recognizable places in the world within walking distance. The full picture is in the guide to Prati and Borgo, what to see.

Castel Sant'Angelo and the bridge

Beyond Piazza Pia rises Castel Sant'Angelo, which in the evening dominates the Lungotevere. The pedestrian Ponte Sant'Angelo leads to the other bank: there and back in a quarter of an hour.

St. Peter's Square in the evening

At the end of the street opens St. Peter's Square. After sunset the daytime crowd disappears and the colonnade becomes legible again. Getting to the obelisk before the show is a privilege no other Roman theater grants.

The Passetto and the district

The Passetto di Borgo, the elevated walkway between the Vatican and Castel Sant'Angelo, runs a few hundred meters from the hall. For the history of the neighborhood there is the page on the Borgo district.

Where to eat before or after Nata con la Guêpière

The most convenient place to eat before the show is inside the building: Auditorium Conciliazione hosts the Chorus Cafè, the bar restaurant the venue presents as one of its spaces. On March 8, more than on any other evening, you need to book.

Borgo

The streets of Borgo, starting with Borgo Pio, offer trattorias and pizzerias built largely on the flow of Vatican visitors. Quality varies. The rule: be wary of picture menus in four languages, and prefer the places where at eight in the evening you hear Roman spoken at the tables.

Prati

Around Via Cola di Rienzo and Piazza Cavour the choice widens: pizza by the slice, neighborhood trattorias, wine bars with kitchens. It is the right area for those arriving from Lepanto who want to eat along the way.

After the show

On the way out, after 23:00 on a Monday, Borgo is almost shut down. Anyone who wants a glass after the laughs should cross Ponte Sant'Angelo toward the Ponte district or head back up toward Prati.

March in Rome, the evening of the 8th

In early March Rome is still in the full theater season, with cool evenings and lengthening days. On the evening of the 8th the temperature easily drops below 10°C, and the Lungotevere is breezy: a heavy jacket is useful.

International Women's Day

March 8 in Rome is a day of mimosas sold on street corners and dinners among friends. Anyone with a free afternoon can build a whole day, with a visit to Castel Sant'Angelo or a walk in Prati, and then the show in the evening.

A Monday

In 2027 March 8 falls on a Monday. It is a day when many theaters rest and many restaurants close: a comedian's choice to go on stage precisely that evening says a lot about the desire to be there, hers and her audience's.

Frequently asked questions about Valentina Persia in Rome

When is Valentina Persia at Auditorium Conciliazione?

Valentina Persia is at Auditorium Conciliazione in Rome with Nata con la Guêpière on Monday, March 8, 2027, starting at 21:00. It is a single date: the hall's official calendar lists no other Rome performances. The hall is at Via della Conciliazione 4, in the Borgo district.

Where do you buy tickets for Valentina Persia in Rome?

Tickets for Valentina Persia at Auditorium Conciliazione are bought from the show page on the hall's official website, which links to the presale network authorized by the organizers. Prices by section are published there too. Better to avoid secondary resellers.

What is Nata con la Guêpière about?

Nata con la Guêpière is the one-woman show in which Valentina Persia, past 50, questions destiny and tells of memories, loves, mistakes, missed dreams and unexpected milestones, speaking of herself and of a generation. It comes after the success of Ma che te ridi?!.

Who is Valentina Persia?

Valentina Persia is a comedian, cabaret performer and actress born in Rome in 1971. A graduate as a solo dancer of the Accademia nazionale di danza, she became known with La sai l'ultima? on Canale 5, and has worked with the Bagaglino, in fiction like Caterina e le sue figlie and in programs like Tale e quale show and Only Fun.

How do you get to Auditorium Conciliazione?

Auditorium Conciliazione, at Via della Conciliazione 4, can be reached by metro A to Ottaviano or Lepanto and then on foot in about a quarter of an hour. The closest surface stop is Traspontina. By car, the venue lists parking at Piazza Cavour, Piazza Adriana, Terminal Vaticano and Gran Melia.

Is Valentina Persia's show suitable for kids?

Nata con la Guêpière at Auditorium Conciliazione has no age limits indicated by the hall, but the themes are adult: love, the body, the balance sheets of 50. It is fine for older teenagers, less so for children. It is designed for an adult audience, ideal for an evening among friends.

Why is the show called Nata con la Guêpière?

Nata con la Guêpière takes its name from the corset that shapes the wasp waist. In the official presentation the title becomes the key to the show: to face life irony isn't enough, sometimes you also need a good corset.

Final advice on Valentina Persia at Auditorium Conciliazione

Book early, tickets and dinner together, and arrive on Via della Conciliazione on foot from Castel Sant'Angelo. Valentina Persia is a true professional, raised between the dance barre and Garinei's school, and a single date in her city, on the evening of International Women's Day, is the best chance to see her in her most exposed form: alone, on stage, telling her own story. You'll leave wanting to call a friend you haven't spoken to in a while.

Article written by the editorial team of Tour Leader Pro, contact them for Private/Corporate/V.I.P. Tours and Experiences.

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