Marta e Gianluca in Io e Gianlu at Teatro Olimpico, March 23 and 24, 2027

Marta e Gianluca bring Io e Gianlu to Teatro Olimpico in Rome, Piazza Gentile da Fabriano 17, 00196 Rome, on Tuesday, March 23 and Wednesday, March 24, 2027, starting at 20:30. You get there by metro A to Flaminio and then tram 2 to the terminus at Piazza Mancini, from where it is about 500 meters on foot along Viale del Pinturicchio. Alternatively, take bus 910 from Termini to the Pannini stop, about 300 meters from the theater. The prices published by the theater range from €29 (side balcony with railing) to €38 (poltronissima gold), plus the presale fee, from €4.30 to €5.50. For children under 12 there is a reduced ticket, from €20.30 to €23.10 plus presale fee, available only at the box office. Tickets can be bought on the venue's official website, with an online fee of €2, or at the theater's box office.

Language: performed in Italian. No English version or English surtitles are announced.

Two midweek evenings in late March, for the duo that has spent more than 15 years working on love seen from the comic side: missed dates, impossible couples, dialogues between people who don't understand each other. Io e Gianlu is the show that gathers this vein into a full evening, and the Olimpico, with its amphitheater-style orchestra, is a hall suited to comedy made of timing and glances. It is the right evening for a couple that feels like laughing at itself.

Io e Gianlu: what the show is about

Io e Gianlu is a show built on improbable encounters: the theater presents it as a tale made of botched auditions, speed dates between unhinged people, distracted brainstorming sessions and fanatical gurus, born from the most improbable encounter of all, the one between Marta and Gianluca. It is a title that puts the relationship between the two performers at the center, even before the characters.

A gallery of encounters

The structure, as described by the theater's official page, is a sequence of situations: the audition that goes wrong, the blind date with the wrong person, the work meeting where nobody listens, the meeting with a spiritual master who is a little too convinced. It is the form the duo knows best, the sketch that wraps up in a few minutes, stretched to the length of an evening.

Cinema, music, aesthetics

The theater points to references from cinema, music and aesthetics. There are no details on specific titles or quotations, and they shouldn't be invented. But whoever knows their television work knows that the parody of genres and clichés is part of how they write.

Matchmakers in the hall

The closing line of the official presentation is a game with the audience: if there were two soulmates among the spectators, Marta and Gianluca would be the best possible matchmakers. It is an invitation to consider the audience part of the show. Those sitting in the front rows should keep it in mind.

Dates and times of Io e Gianlu at Teatro Olimpico

Io e Gianlu is on at Teatro Olimpico on Tuesday, March 23 and Wednesday, March 24, 2027, both evenings at 20:30. They are two weekday performances, with the same time and the same prices.

Which evening to choose

Between the two, the difference is minimal. Tuesday often has a more intimate audience. Wednesday, midweek, is the evening when many Romans treat themselves to a night out. It is better to choose based on the available seat, not the date: a good central seat is worth more than a favorite evening.

The week at the Olimpico

In the theater's calendar, Io e Gianlu comes after The Queen of Rock, a tribute to Tina Turner, and right before Le Coliche, who on March 25 bring 10 anni di Coliche e siamo ancora vivi to the same stage. Those who love comedy can build a week of theater in the same hall.

Tickets and prices for Marta e Gianluca

The prices of Io e Gianlu at Teatro Olimpico, published by the theater, are: poltronissima gold €38, side poltronissima €33, poltrona and balcony €31, balcony with railing and side balcony €30, side balcony with railing €29, plus the presale fee. The presale fee runs from €4.30 to €5.50 depending on the section and is always required when the ticket is issued.

The under 12 reduced ticket

For children under 12 the theater offers a reduced ticket: €23.10 in side poltronissima, €21.70 in poltrona and balcony, €21 in balcony with railing and side balcony, €20.30 in side balcony with railing, plus a presale fee of €3 to €3.50. It doesn't apply to poltronissima gold and can only be bought at the theater's box office.

Online or at the box office

Online you buy on the ticketing page of the theater's official website, with a fee of €2. Those who need the reduced ticket for their kids, or want to choose a seat by talking to someone, are better off going to the box office in Piazza Gentile da Fabriano.

Advice on the section

The difference between poltrona and side poltronissima is two euros, and between poltrona and poltronissima gold it is seven. For a comedy show built on words, the central poltrona is the best compromise. The gold makes sense only for those who want to see the expressions up close and accept becoming the target of a few jokes.

Who Marta e Gianluca are

Marta e Gianluca are the comedy duo formed by Marta Zoboli, born in Treviglio on April 10, 1978, and Gianluca De Angelis, born in Milan in 1972. They have worked together since 2010 and under their current name since 2012. Their television home, from the start, has been Zelig.

The origins: the Laboratorio Scaldasole

Gianluca De Angelis's story begins before the duo. In 1997, at the Laboratorio di cabaret Scaldasole in Milan, he meets Gianmarco Pozzoli. The following year the two are on television in Scatafascio, on Italia 1. In 1999 they take part in Rido on Rai 2 and in 2000 they form a proper group.

From Convenscion to Colorado

The duo of De Angelis and Pozzoli goes through Convenscion on Rai 2, Zelig Off in spring 2001, Zelig Circus from January 2005, Paperissima Sprint, Geppi Hour on Sky Show from December 2006 and then Colorado. It is a long apprenticeship, made of different programs and different audiences, that shapes a working comedian.

The Sagapò, 2010

In 2010 Marta Zoboli enters the scene. With De Angelis and Pozzoli she founds a trio, the Sagapò, which returns to Zelig. It is the step that changes everything: the presence of a woman on stage opens the repertoire to the theme that will become their trademark, relationships between couples.

From 2012: Marta e Gianluca

In 2012 Pozzoli no longer appears with the group. Zoboli and De Angelis drop the name Sagapò and present themselves as Marta e Gianluca. Since then the duo has been recognizable for a precise kind of comedy: two people who talk, misunderstand each other, chase each other.

Marta e Gianluca on television: Sanremo, Zelig, Nove

In 2015 Marta e Gianluca host the second season of Extra Show on Mediaset Extra and are guests on the final night of the Sanremo Festival hosted by Carlo Conti. In 2016 they return to Sanremo for all the nights with the Salamoia couple. Those are the years when the duo becomes popular beyond the cabaret audience.

The return to Zelig

In summer 2015 they are regular guests on the quiz show Gli italiani hanno sempre ragione. In November 2021 they return to Zelig with their act, and in January 2026 they are in the cast again for the show's 30th anniversary. For them, Zelig is a home you return to.

Only Fun, Comedy Match and Save the Dating

Since 2022 they have been part of Only Fun, and since 2025 of Katia Follesa's Comedy Match on Nove. In November 2025 they become hosts, again on Nove, of Save the Dating, Amori in corso: a program about relationships that looks like the television translation of their stage repertoire.

Radio

The duo has a history on the radio too: Marta Zoboli on Caterpillar, Gianluca De Angelis on 105 Chips, both in Giovedì night live. It is a detail that explains their attention to words and to the rhythm of dialogue.

Marta Zoboli between film and series

Alongside her work as a duo, Marta Zoboli has built an acting career: the series Tutta colpa di Freud, the film Mollo tutto e apro un chiringuito, Dove osano le cicogne with Angelo Pintus and her participation in LOL, Chi ride è fuori. She is the half of the duo who more often also works alone.

Film and television

In film she appears in Mollo tutto e apro un chiringuito, directed by Pietro Belfiore, in 2021, and in Dove osano le cicogne by Fausto Brizzi, in 2025, alongside Angelo Pintus. On television she acted in Tutta colpa di Freud, directed by Rolando Ravello, and in Super Market by Terzo Segreto di Satira, from 2026.

LOL and the Olimpico

In 2025 she takes part in LOL, Chi ride è fuori. A coincidence of calendars: Angelo Pintus, her partner in Dove osano le cicogne, is on stage at the Olimpico in the same season, from January 14 to February 14, 2027.

The theater of Marta e Gianluca

The stage repertoire of Marta e Gianluca includes Cinici comici acrobatici, Ciò che mi diverte, Vite vere compresa la vostra, a tribute to Beppe Viola, Cronache di città, C'è da ridere and Io e Gianlu. It is a list that reveals a less televisual side of the duo.

The tribute to Beppe Viola

Vite vere compresa la vostra is a tribute to Beppe Viola. In the repertoire of a duo born on television, it is the title that most reveals their attention to writing and to masters, and it says that their theater doesn't stop at the sketch.

Io e Gianlu in their path

Io e Gianlu comes after these titles and gathers their lesson: the theater of Marta e Gianluca always starts from their relationship on stage, from the two characters who clash. The title, which puts Marta's "I" ahead of his nickname, is already a joke about how they are together on stage.

A curiosity about Marta e Gianluca in Io e Gianlu at Teatro Olimpico, March 23 and 24, 2027

Marta e Gianluca were born as a trio: in 2010, at Zelig, they were called Sagapò and there were three of them, with Gianmarco Pozzoli. The duo under its current name exists only since 2012. Many spectators consider them a long-standing couple and don't know that the original comic couple was a different one.

The real long-standing couple, in fact, was the one between Gianluca De Angelis and Gianmarco Pozzoli, who had met in 1997 at the Laboratorio Scaldasole in Milan and who already had more than 10 years of shared work behind them when Marta Zoboli arrived. For a while the trio coexisted. Then, at Zelig 2012, Pozzoli no longer appeared and the two who remained changed their name.

It is a story that gives new meaning to the title of the show. The theater presents it as born from the most improbable encounter of all, the one between Marta and Gianluca. And in fact their meeting came late, inside an already formed group, almost by chance. This explains their chemistry on stage. They aren't two childhood friends who finish each other's sentences. They are two professionals who chose each other when their careers were already underway, and who on stage play precisely on this distance. The curiosity, then, is also the key to watching the show: Io e Gianlu is about wrong encounters made by two people whose own encounter, for once, worked out.

Teatro Olimpico: the hall of the Flaminio

Teatro Olimpico in Piazza Gentile da Fabriano began as Cine-Teatro Olimpico in 1936 and took its current name and mission in 1981. It faces Lungotevere Flaminio, at the level of Ponte della Musica, and is the venue for most of the shows of the Accademia Filarmonica Romana.

A block from the 1930s

The block it belongs to was built between 1935 and 1936 by the company Garbarino, Sciaccaluga e Mezzacane for the Società Generale Immobiliare. Those were the years when the Flaminio district and Foro Italico were being born, on the other bank of the Tiber.

Cinema, variety acts and music

Until the 1950s the hall worked mainly as a cinema, with variety acts in the intervals. After the war the Accademia Filarmonica Romana rented it for its season, and until the end of the 1970s music and films alternated.

1980 and the citizen shareholders

When the owner went bankrupt and the theater was put up for sale, Adriana Panni, president of the Filarmonica, promoted a subscription among citizens. Teatro Olimpico spa was born, which in 1980 bought the building. Panni was its president until 1994. From 1981 the program opens up permanently to drama, dance and comedy.

What the Olimpico hall is like

The hall of Teatro Olimpico has 1,410 seats, 966 in the orchestra and 444 in the gallery, with the orchestra laid out like an amphitheater. For a show built on words like Io e Gianlu, it is a favorable layout.

The sloping orchestra

The rows of the orchestra rise toward the back: those behind see over the heads of those in front. For a comedy duo that works on expressions, this means that even from the central rows you catch everything.

The gallery

The gallery, which at the ticket office corresponds to the balconies, has a horseshoe shape with tiers on curved lines. The central sections face the stage head on, the side ones at an angle. The railings partly reduce the view, and the price reflects it.

The stage and the architecture

The stage measures about 10 meters deep by 12 wide. The building, in reinforced concrete, has a plinth and frames in travertine and a rotunda foyer. A restoration has brought back to light its late Rationalist look.

Something nobody tells you about Marta e Gianluca in Io e Gianlu at Teatro Olimpico, March 23 and 24, 2027

In the foyer and corridors of Teatro Olimpico are preserved set designs signed by artists such as Giacomo Manzù and Corrado Cagli, created for shows staged right there. Most spectators walk past them looking for their row, without looking at them.

There is the backdrop painted by Manzù for Stravinsky's Histoire du soldat, staged from October 11 to 14, 1966. There are Cagli's golden shapes for Stravinsky's Mass, performed on October 29, 30 and 31, 1975. There is Mirko's sculpture for Chordination, from Niccolò Castiglioni's Tre misteri, of October 2, 3 and 4, 1968, and Alfred Silbermann's set design for another performance of the Mass, in December 2001.

Why mention this to someone going to see a comedy duo? Because the evening of Io e Gianlu the audience will be largely made up of couples and groups of friends, who came to laugh, and the foyer will be noisy. And yet all it takes is to arrive 20 minutes early and look up: very few halls in Rome display a Manzù in the corridor. And there is a symmetry I find amusing: a show about improbable encounters, in a theater where Stravinsky and Zelig meet. Look at them before going in, because afterward, on the way out, the current of the crowd will carry you out without giving you the time.

Where to sit to see Io e Gianlu

For Io e Gianlu the best seats are in the central orchestra, in the poltrona and side poltronissima sections, which combine good visibility and a moderate price. A show of dialogue is better enjoyed from a medium distance.

The front rows

The poltronissima gold puts you close to the performers. A show that ends by asking if there are two soulmates in the hall, however, can involve those sitting in front. Those who like to take part should choose the front rows. Those who prefer to laugh under cover, the central rows.

The central balcony

The central balcony costs the same as the poltrona and offers a frontal overall view. For a group that wants to sit close together, it is often the easiest solution.

My advice for visiting Marta e Gianluca in Io e Gianlu at Teatro Olimpico, March 23 and 24, 2027

My advice is to go as a couple, better if it is a couple that has known each other for a while, and to book a central poltrona for the evening of March 24. Io e Gianlu is a show about encounters, about missed affinities and successful ones: watching it next to the person you share your life with turns it into a mirror, and the laughs double.

The second piece of advice is about the trip. Teatro Olimpico is not in the center, and the car seems the most convenient solution. It isn't: on show nights the streets around Piazza Gentile da Fabriano and Lungotevere fill up, and last-minute parking is the main cause of entrances with the lights off. Metro A to Flaminio, tram 2 to Piazza Mancini and five minutes on foot along Viale del Pinturicchio: it is the route the theater indicates, and the most reliable.

Third: dinner. With a start at 20:30 on a weekday, there are two options. Either an early, quick dinner in the neighborhood, around 19:00, or dinner after the theater, which in Rome is a small ritual. The second is better: you come out, you talk about the show over a plate, and the evening lasts twice as long.

Finally, for groups: the theater has channels dedicated to parties. Sitting all close together, for a show that plays on complicity, makes the difference.

Another well-known fact, yet rarely cited

It is well known that Teatro Olimpico is one of Rome's great private theaters. It is less often remembered that the company that owns it, born in 1980, was created by a subscription of citizens promoted by the Accademia Filarmonica Romana. Whoever enters to see Marta e Gianluca is a guest of a hall saved by the public.

At the end of the 1970s the theater risked becoming something else. The company that owned the property and the film company that ran it had gone bankrupt, and the big cinema of the Flaminio was for sale. Adriana Panni, president of the Filarmonica, raised capital among professionals, entrepreneurs and music lovers: Teatro Olimpico spa was born, with a broad shareholder base, which bought the building from the Società Generale Immobiliare and still owns it.

The consequences are in the program. A theater that has to stand on its own needs full houses, and since 1981 the Olimpico has opened its doors to everything that can fill them: crowd-pleasing comedy, international dance, pop music, alongside the Filarmonica's season. Between the end of March and the start of spring 2027, a tribute to Tina Turner, Marta e Gianluca, Le Coliche and the Balletto di Milano pass through that stage, one after the other. It is an almost unique model in Rome, and in our opinion it is the reason why the audience keeps coming back.

How to get to Teatro Olimpico

Teatro Olimpico is reached by metro A to Flaminio and tram 2 to the terminus at Piazza Mancini, from where you walk about 500 meters along Viale del Pinturicchio. These are the directions provided by the theater.

Metro and tram

From the Flaminio station on Line A you take tram 2 to Piazza Mancini, then continue on foot to Piazza Gentile da Fabriano. Those arriving by the Rome-Viterbo railway also get off at Flaminio and follow the same route.

Buses

The theater lists lines 220, 232, 233, 280, 301, 446, 48, 910 and 911 with stops in the area. The 910 leaves from Termini: you get off at the Pannini stop and walk about 300 meters on Viale del Pinturicchio. At Piazza Mancini you also get the 200, the 201, the 53 and the night line n24, useful for the return.

By car

From the center you follow the Lungotevere north to Lungotevere Flaminio. From the north you cross Ponte Duca d'Aosta and turn right to the piazza. Parking, on show nights, is the real problem: leave early or leave the car at home.

The right photo to take of Marta e Gianluca in Io e Gianlu at Teatro Olimpico, March 23 and 24, 2027

The right photo, for the evening of Io e Gianlu, is taken on Ponte della Musica, which crosses the Tiber right in front of Piazza Gentile da Fabriano. The theater itself mentions it among the places that turned the Flaminio into a cultural hub, alongside the Auditorium and MAXXI.

From the bridge there are two framings. Toward the theater, the Rationalist facade with the travertine plinth and the lit sign. Toward the other bank, Foro Italico. At the end of March, arriving a little before 20:00, the evening light on the river is still soft. For a couple going to see a show about soulmates, a photo together on the bridge, with the theater behind you, is the memento most fitting for the evening, and far better than a selfie in front of the poster.

Second photo: the facade of the theater seen from the opposite side of the piazza, about 20 minutes before the start, when people gather on the sidewalk. You get the whole building and a bit of life in front of it.

Inside, during the show, the phone stays in your pocket. A comedy duo works on the timing of the jokes, and the glow of a screen in the orchestra ruins the rhythm for everyone. If you want a memento of the hall, photograph the foyer and the historic set designs before the doors of the orchestra open.

Some important events that happened here in history

On March 4, 1965, Pierre Boulez conducted at Teatro Olimpico the Italian premiere of Stravinsky's Abraham and Isaac and the European premiere of his Elegy for J.F.K.: it is the highest date in the hall's musical history. It tells of the weight that the Accademia Filarmonica Romana had at the time in Rome's cultural life.

The following years bring productions in which music and visual arts meet: Histoire du soldat with Manzù's backdrop in 1966, Castiglioni's Tre misteri with Mirko's sculpture in 1968, Stravinsky's Mass with Cagli's shapes in 1975.

Then the turning point: in 1980 Teatro Olimpico spa is born, and from 1981 the hall changes name and mission. In April 1982 Moses Pendleton's Momix debut at the Olimpico, destined to become regular guests. The Lindsay Kemp Company arrives in February 1989 with A Midsummer Night's Dream and in 1993 with Dream and the big parade. Mikhail Baryshnikov brings the White Oak Dance Project from October 10 to 15, 1995, the Bolshoi Ballet is on stage from September 23 to 26, 1996, the Béjart Ballet Lausanne in 2004.

In the 2009/2010 season, according to Agis rankings, the Olimpico ranks as the second theater in Rome and the seventh in Italy by audience. It is the recognition, in numbers, of the bet of the citizens who had bought it 30 years earlier.

Who has passed through Marta e Gianluca in Io e Gianlu at Teatro Olimpico, March 23 and 24, 2027

Arturo Benedetti Michelangeli, Jessye Norman, Zubin Mehta and Pierre Boulez have been on the stage of Teatro Olimpico, and then Gigi Proietti, Enrico Brignano, Aldo, Giovanni e Giacomo, Ale e Franz, Lillo e Greg. For a comedy duo, that is respectable company.

The theater's memory, tied to the Filarmonica, preserves the names of Benedetti Michelangeli, Jessye Norman, Zubin Mehta, Giuseppe Sinopoli, Luigi Dallapiccola. For song, Marillion in February 1988, Lucio Dalla with Henna in April 1994, Pooh in October of the same year, Giorgio Gaber on January 28, 1998. For dance, Baryshnikov, Béjart, the Bolshoi, Antonio Gades, Joaquín Cortés, Momix.

Comedy is the part that interests those going to see Io e Gianlu the most. Gigi Proietti with A me gli occhi in May 1996, and then Brignano, Salemme, Neri Marcorè, Gioele Dix, Cinzia Leone, Max Giusti. And above all the comic couples and groups: Aldo, Giovanni e Giacomo, Ale e Franz, Lillo e Greg. Marta e Gianluca, who grew up between Milan cabaret and Zelig, join this line of comic couples who found in the Olimpico a stage made to their measure.

In the same 2026/2027 season, Scintilla and Federica Camba also come through the Olimpico with Io Marte Tu Mercole, on March 10, and the Momix with Botanica until March 7: two weeks before Marta e Gianluca, the hall hosts another couple on stage.

The Flaminio around Teatro Olimpico

Teatro Olimpico is in the Flaminio, north of Piazza del Popolo, in a neighborhood that the theater itself describes as a cultural hub, with Auditorium Parco della Musica, MAXXI and Ponte della Musica. Arriving an hour early lets you see it.

Ponte della Musica and Foro Italico

In front of the theater, Ponte della Musica leads to Foro Italico, built in the same years as the Olimpico block. A walk on the opposite bank, before the show, shows architecture that shares its era and language with the theater.

Auditorium and MAXXI

A short way off are Auditorium Parco della Musica and MAXXI. For those coming from out of town, an exhibition in the afternoon and Marta e Gianluca in the evening make a full day in the same neighborhood.

Milvian Bridge

Going up the Tiber you reach Milvian Bridge, with its piazza full of places: the natural destination for those who want to extend the evening after the show.

Where to eat before or after Io e Gianlu

Around Teatro Olimpico, between Piazza Mancini, Via Flaminia and Piazza Gentile da Fabriano, there are pizzerias, trattorias and cafés frequented by the audience of the theater and of the Auditorium. It is a neighborhood offering, broad and without tourist pretensions.

Before

With a start at 20:30, a quick dinner at 19:00 is the most practical solution: a pizza, a plate of pasta, a tramezzino at a café. Avoid sitting down to eat too late.

After

The show lets out around 22:30. For a dinner after the theater, Ponte Milvio is a few minutes away by taxi and has places open late even on weekdays.

In a group

For a party it is best to book a table in advance: on show nights the places closest to the theater all fill up in the same half hour.

Accessibility and children at Io e Gianlu

Those with reduced mobility who want to see Io e Gianlu at Teatro Olimpico should contact the box office before buying, at biglietti@teatroolimpico.it. It is the surest way to find out about suitable seats and the conditions for companions.

Accessibility

The orchestra is sloped and the gallery is on the upper floor: these are aspects to consider when choosing the section. A phone call or an email to the box office settles doubts that online stay unanswered.

With children

For Io e Gianlu the theater offers a reduced ticket for under 12s, available at the box office: a sign that the show is not considered off limits for families. The subject, however, is the romantic encounters of adults, and the weekday evening hour weighs on the youngest. It is recommended from preteens up.

Late March in Rome: the right season for theater

In late March the Roman theater season is in full swing, and the week of Io e Gianlu at the Olimpico is one of the busiest in the theater's program. The days are getting longer, the evenings are still cool.

For those coming from out of town it is a good time to visit Rome: spring has just started, the museums are open and the halls are full. A day between the Flaminio and the center, with Marta e Gianluca in the evening, is a different way to live the city. The stretch on foot from Piazza Mancini is short but uncovered: a jacket and a folding umbrella are enough.

Frequently asked questions about Io e Gianlu at Teatro Olimpico

When is Io e Gianlu on at Teatro Olimpico?

Marta e Gianluca's Io e Gianlu is on at Teatro Olimpico in Rome on Tuesday, March 23 and Wednesday, March 24, 2027, both evenings at 20:30. The theater is in Piazza Gentile da Fabriano 17, in the Flaminio district.

How much do tickets for Marta e Gianluca at the Olimpico cost?

Tickets for Marta e Gianluca at Teatro Olimpico cost from €29 in side balcony with railing to €38 in poltronissima gold, plus the presale fee of €4.30 to €5.50. Online a fee of €2 is added. For under 12s there is a reduced ticket at the box office.

What is Io e Gianlu about?

Io e Gianlu is a comedy show about improbable encounters: botched auditions, speed dates between unhinged people, distracted brainstorming sessions and fanatical gurus, with references to cinema and music. The theater presents it as born from the most improbable encounter of all, the one between Marta e Gianluca.

Who are Marta e Gianluca?

Marta e Gianluca are the comedy duo formed by Marta Zoboli and Gianluca De Angelis, born at Zelig in 2010 as the trio Sagapò and under their current name since 2012. They were at Sanremo in 2015 and 2016 and host Save the Dating on Nove.

How do I get to Teatro Olimpico by public transport?

Teatro Olimpico is reached by metro A to Flaminio and tram 2 to the terminus at Piazza Mancini, then about 500 meters on foot along Viale del Pinturicchio. From Termini there is also bus 910, Pannini stop, about 300 meters from the theater.

Is Io e Gianlu suitable for children?

For Io e Gianlu, Teatro Olimpico offers a reduced ticket for under 12s, available only at the box office. The show, however, is about encounters and relationships between adults and starts at 20:30 on a weekday: it is better suited to older kids than to small children.

Where do I buy tickets for Io e Gianlu?

Tickets for Io e Gianlu are bought on the online ticket office of Teatro Olimpico's official website, with a fee of €2, or at the theater's box office in Piazza Gentile da Fabriano, the only channel for the under 12 reduced ticket.

To close, a practical piece of advice. Go see Marta e Gianluca as a pair, take a central poltrona and arrive 20 minutes early to look at the foyer. After the show don't go straight home: have a dinner, even a simple one, to tell each other which of those improbable encounters felt familiar. That is where a show about couples keeps on working.

Article written by the editorial team of Tour Leader Pro, contact them for Private/Corporate/V.I.P. Tours and Experiences.

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