La cosa giusta with Dino Abbrescia and Massimo De Lorenzo at the Ambra Jovinelli, January 13-24, 2027

La cosa giusta (The Right Thing), a comedy written and directed by Giacomo Ciarrapico, is on at Teatro Ambra Jovinelli from January 13 to 24, 2027, at Via Guglielmo Pepe 43, on the Esquiline Hill (00185 Rome). Onstage are Dino Abbrescia, Massimo De Lorenzo, Alessandro Tiberi and Claudia Potenza, with another actress still to be named, the production is by Nuovo Teatro, directed by Marco Balsamo. There are 12 performances, at different times: at 9:00 p.m., at 7:30 p.m. or, on weekends, in the afternoon. The theater is reached by metro line A, Vittorio Emanuele stop, a few minutes' walk away, or from Termini. Prices are published on the presale network authorized by the theater's official website, ambrajovinelli.org, where tickets are bought, they can also be bought at the theater's box office.

Language: performed in Italian. No English version or English surtitles are announced.

Three priests who rob the rich to give to the poor: the premise is straight from Italian-style comedy, and the signature is that of one of the authors of Boris. With Massimo De Lorenzo and Alessandro Tiberi onstage, those who loved the series will find two faces from that team again, in a theater that has already hosted Mattia Torre's plays.

La cosa giusta: the plot

La cosa giusta tells of three priests, a parish priest and two curates of a church on the far outskirts of Rome, who almost by chance begin stealing from the homes of the rich to help the families most in need.

Robin Hood in a cassock

The official presentation starts from a question: can stealing from the rich to give to the poor be right? Robin Hood had already given his answer, but what happens when three priests do it? Three very different men, almost opposites, united by a vocation born along the unpredictable ways of the Lord.

A silver plate

It all starts with an impulsive act: a silver plate taken by Don Michele in a senator's house. An isolated act, or so it seems. From there a spiral of thefts takes shape, ever bolder and ever less clumsy, driven by a noble aim.

The fall

They should stop, they should repent, but for mysterious reasons, perhaps not so mysterious, they cannot. Internal tensions grow, outside pressures get stronger, and the game gets complicated until the fall becomes inevitable. At bottom, the presentation concludes, it is a story of friendship and folly, which in its own way concerns everyone.

A suburban comedy

The parish in the story is on the far outskirts of Rome, and the first theft takes place in a senator's home: the distance between the two worlds, the poor neighborhood and the salon of power, is the engine of the comedy. It is a theme that runs through all of Ciarrapico's work, from the Rome of the Boris sets to that of the offices in L'ufficio (The Office): ordinary people grappling with a system bigger than themselves.

The cast and the artistic team

Onstage are Dino Abbrescia, Massimo De Lorenzo, Alessandro Tiberi, Claudia Potenza and another actress yet to be defined, the text is by Giacomo Ciarrapico, with the collaboration of Carlo Quinto and the consultancy of Ivan Quintavalle, the direction is by Ciarrapico himself.

Three priests

The presentation does not assign the roles to the actors. There are three priests, the parish priest and the two curates, and the name of Don Michele is the only one given, the rest will be discovered in the hall.

The production

The show is produced by Nuovo Teatro, the company directed by Marco Balsamo, which also brings other titles of the season to the Ambra Jovinelli.

A new text

La cosa giusta is an original text by Ciarrapico, not an adaptation: the return to theater writing of an author who started precisely on the stage, in the 1990s, before cinema and television.

Dates, times and tickets for La cosa giusta

La cosa giusta is on from January 13 to 24, 2027 with 12 performances, and the times change from day to day: it is wise to choose the date by looking at the hour.

The first week

Wednesday, January 13 at 9:00 p.m., Thursday the 14th at 7:30 p.m., Friday the 15th at 9:00 p.m., Saturday the 16th a double performance, at 4:30 p.m. and 9:00 p.m., Sunday the 17th at 5:00 p.m.

The second week

Tuesday the 19th at 9:00 p.m., Wednesday the 20th at 7:30 p.m., Thursday the 21st at 9:00 p.m., Friday the 22nd at 7:30 p.m., Saturday the 23rd at 9:00 p.m., Sunday the 24th at 5:00 p.m. There is no performance on Monday the 18th.

Tickets

Tickets are bought from the button on the show's page on the Ambra Jovinelli website, which links to the authorized presale network, or at the theater's box office on Via Guglielmo Pepe. Section prices are shown at purchase.

Giacomo Ciarrapico, author and director

Giacomo Ciarrapico was born in Rome on September 19, 1971: a director and screenwriter, a graduate of the Centro sperimentale di cinematografia in 1992, he is one of the three authors of the series Boris, with Mattia Torre and Luca Vendruscolo.

Theater in the 1990s

From 1994 to 2000 he wrote and directed his first comedies, Io non c'entro (It's Not My Fault), Tutto a posto (All Good), Piccole anime (Little Souls) and L'ufficio (The Office), with the collaboration of Mattia Torre and Luca Vendruscolo. In 2001 his short film Dentro e fuori (In and Out) won the Sacher d'oro, Nanni Moretti's prize.

Cinema

His feature films Piccole anime (1998), based on the play of the same name, and Eccomi qua (2002) took part in the Torino Film Festival. With Torre and Vendruscolo he signed Boris Il film (2011) and Ogni maledetto Natale (2014), he wrote Troppa grazia for Gianni Zanasi and Vicini di casa for Paolo Costella.

Television

In 2006 the series Buttafuori was born with Torre and Vendruscolo, with Valerio Mastandrea and Marco Giallini. From 2007 to 2010 he created the three seasons of Boris, in 2022 he wrote and directed the fourth with Vendruscolo. In 2019 he signed the series Liberi tutti.

The return to theater

In 2014 and 2015 he wrote the comedies È andata così (That's How It Went), with Francesco Pannofino, and Stare meglio oggi (Feeling Better Today), with Carlo De Ruggeri. He has taught at the Centro sperimentale di cinematografia and at the Rome University of Fine Arts.

The actors of La cosa giusta

The cast of La cosa giusta brings together two longtime faces of Boris, Massimo De Lorenzo and Alessandro Tiberi, with Dino Abbrescia and Claudia Potenza.

Dino Abbrescia

Born in Bari in 1966, Dino Abbrescia acted for a long time in theater, above all with the Teatro dell'Elfo in Milan, before cinema: Alessandro Piva's LaCapaGira (2000), Gabriele Salvatores's Io non ho paura (I'm Not Scared), Giovanni Veronesi's Manuale d'amore (Manual of Love), Cado dalle nubi (I Fall from the Clouds) with Checco Zalone. On television he was Inspector Pietro Esposito in Distretto di polizia and Vito Sciuto in Squadra antimafia. Since 2023 he has been onstage with Paolo Genovese's Perfetti sconosciuti (Perfect Strangers).

Massimo De Lorenzo

Born in Reggio Calabria in 1968, Massimo De Lorenzo made his film debut in 1992 with Gianni Amelio's Il ladro di bambini (The Stolen Children), then worked with Carlo Verdone in Al lupo al lupo, Perdiamoci di vista and Viaggi di nozze. Since 2007 he has been in the cast of Boris, then in Qualunquemente, Woody Allen's To Rome with Love, Joe Wright's M Il figlio del secolo (M: Son of the Century). In theater he acted in almost all of Ciarrapico's early comedies.

Alessandro Tiberi

Born in Rome in 1977, the son of the voice actor Piero Tiberi, Alessandro Tiberi has been an actor and voice actor since childhood: his is the Italian voice of Eddie Kaye Thomas in American Pie and of Leonardo DiCaprio in What's Eating Gilbert Grape. In Boris he is the intern Alessandro, in film he acted in Generazione 1000 euro (Generation 1000 Euros), Immaturi (Immature) and To Rome with Love, on television in Tutto può succedere (Anything Can Happen).

Claudia Potenza

Born in Manfredonia in 1981, Claudia Potenza studied acting in Rome. For Rocco Papaleo's Basilicata coast to coast (2010) she was nominated for the David di Donatello as best supporting actress, she acted in Ferzan Özpetek's Magnifica presenza (Magnificent Presence), Il clan dei camorristi (The Camorra Clan), La Compagnia del Cigno (The Swan Company) and Vita da Carlo (Life of Carlo).

Teatro Ambra Jovinelli

The Teatro Ambra Jovinelli was inaugurated on March 3, 1909 by the impresario Giuseppe Jovinelli of Caserta as a luxury variety theater, it is on Via Guglielmo Pepe, on the Esquiline Hill, and is the only Roman theater built in Art Nouveau style.

The facade

The project, after contributions from Pietro Chiodelli and Giacomo Radiconcini, was entrusted in 1907 to Ulderico Bencivenga: a two-story facade with wide openings, a crowning of arched lines, stucco pilasters decorated with flowers and, at the center of the entablature, a shell with a human face. The horseshoe hall originally held about 1,000 seats, with entirely electric lighting.

From variety to the fire

Before the Great War the Jovinelli was one of the most important variety theaters in the capital. In the 1950s it became a variety cinema under the name Ambra Jovinelli, in the 1970s an adult cinema. On April 29, 1982 a fire destroyed the structure.

The rebirth

In July 1996 some young artists occupied the abandoned theater, in 1997 the facade was placed under protection by the Ministry. On January 25, 2001 the Ambra reopened as a comedy theater, with Serena Dandini as artistic director. Since December 26, 2010 the artistic direction has been Fabrizia Pompilio's.

The hall today

The restoration rebuilt the look of the early 1900s and tripled the interior volume without touching the exterior: the hall was raised by 5 meters, and below it the Piccolo Jovinelli, a bar and other spaces were created. The cast-iron columns that held the boxes now support the two galleries.

The Esquiline Hill around the Ambra Jovinelli

The Esquiline Hill is the district between Termini, Santa Maria Maggiore and Porta Maggiore, with the Umbertine buildings raised around Piazza Vittorio Emanuele II after Unification: one of the most multiethnic neighborhoods of Rome.

Piazza Vittorio

Piazza Vittorio is a large square surrounded by porticoes, in the gardens at the center is the Porta Alchemica, with its enigmatic inscriptions, to look for before the show by lamplight.

The market

A few steps away is the Nuovo Mercato Esquilino, with spices, vegetables and products from half the world: a daytime market, to visit in the morning for those spending the day in the area.

Toward Monti

Going up toward Santa Maria Maggiore and beyond you reach Monti, the district of workshops and small squares between the basilica and the Forums: Estate Romana's page on the Monti district helps you choose a route before or after the show.

Santa Maria Maggiore and Porta Maggiore

At the top of the climb is Santa Maria Maggiore, with the Esquiline obelisk behind the apse: for a comedy about priests and parishes, the basilica is the most fitting stop before the show. Toward the east you instead reach Porta Maggiore, the great arch of the ancient aqueducts, which at night, lit up, shows all its mass.

How to get to the Ambra Jovinelli

Teatro Ambra Jovinelli is at Via Guglielmo Pepe 43, a short distance from Piazza Vittorio and Termini station: metro line A, Vittorio Emanuele stop, is the simplest solution.

By metro

From the Vittorio Emanuele stop you reach Via Guglielmo Pepe on foot in a few minutes. Alternatively you get off at Termini, where lines A and B cross, and continue on foot across the Esquiline Hill, a quarter of an hour at an easy pace.

By train

Those arriving on regional trains can get off at Roma Laziali station, next to Termini, the closest to the theater.

By car

In the evening street parking on the Esquiline Hill is difficult: better to leave the car in a garage around Termini and continue on foot.

How to plan the evening or the afternoon

With performances at 9, at 7:30 and in the afternoon, La cosa giusta suits different plans: an evening after work, dinner after the theater, a family Sunday.

For those who work in the center

The 7:30 p.m. performances on Thursday the 14th, Wednesday the 20th and Friday the 22nd are designed for those leaving the office: you arrive by metro at Vittorio Emanuele, see the show and are at a table in Monti shortly after 9:30.

For those coming from outside Rome

The afternoon performances on Saturday the 16th at 4:30 p.m. and on Sundays at 5 let you arrive by train at Termini, a few minutes' walk from the theater, and leave in the evening. Roma Laziali station, for regional trains, is even closer.

For those who want the double day

On Saturday, January 16 there are two performances, at 4:30 and 9: if you cannot find a seat for the evening, you can fall back on the afternoon, often less in demand.

Where to eat before or after the show

The Esquiline Hill is the right neighborhood for those who want to eat Chinese, Indian, Bengali, Ethiopian or Middle Eastern cuisine at low prices, for a Roman trattoria it is best to go up toward Santa Maria Maggiore or move to Monti.

With the 9:00 p.m. start

For the 9:00 p.m. performances there are two paths: a long aperitivo around 7 and dinner afterward, or an early dinner, around 7:30, at one of the places near the theater.

With the 7:30 p.m. start

On January 14, 20 and 22 the show starts at 7:30 p.m.: you come out in time for a real dinner in Monti, where osterias and trattorias stay open even after 10.

The afternoon performances

Saturday the 16th at 4:30 p.m. and the Sundays at 5 leave the evening free: a late lunch on the Esquiline Hill and a dinner on the way out, without hurry.

Accessibility, age and practical information

After the restoration the Ambra Jovinelli hall is 5 meters above street level: those with accessibility needs should contact the theater before buying to get directions on routes and suitable seats.

With teens

La cosa giusta is a comedy for adults and older teens: the theme, the thefts of three priests for a good cause, opens moral questions that from age 14 up are easy to follow, and the audience that grew up with Boris will find a familiar tone.

Arriving on time

With times that change every day, it is wise to check the ticket twice: arriving at 9 for a 7:30 performance is a frequent mistake. The foyer fills up fast: better to be at the theater a quarter of an hour early.

Mid-January in Rome

The two weeks of La cosa giusta fall right after the holidays, when the theater season restarts at full pace and the city returns to its rhythms.

The climate

In January the evenings are cold and often damp, the walk from the Esquiline Hill to Monti after the show is pleasant anyway with a good coat.

The other shows

On the same dates, January 13 to 24, at the Sala Umberto Gianfranco Gallo's Captivo is on: another story of guilt and innocence, told in a tragic and musical key rather than in comedy.

A curiosity about La cosa giusta with Dino Abbrescia and Massimo De Lorenzo at the Ambra Jovinelli, January 13-24, 2027

The nicest curiosity concerns a team reuniting. Giacomo Ciarrapico, Massimo De Lorenzo and Alessandro Tiberi worked together on Boris, the series created by Ciarrapico with Mattia Torre and Luca Vendruscolo: De Lorenzo in the cast since 2007, Tiberi as the intern Alessandro, Ciarrapico as author and director. But the bond between the author and De Lorenzo is older: the actor acted in almost all of Ciarrapico's early stage comedies, from Io non c'entro in 1995 to Tutto a posto, Piccole anime and L'ufficio, up to Italia oggi in 2006. La cosa giusta thus brings back to the theater a partnership born onstage before television.

The second curiosity concerns the place. Among the shows hosted by the Ambra Jovinelli under Fabrizia Pompilio's management are the plays of Mattia Torre, co-author of Boris and Ciarrapico's writing partner since the 1990s. Bringing a Ciarrapico text to the Ambra has therefore the flavor of a homecoming.

The third is almost a play on words: Tiberi, as a voice actor, gave the Italian voice to a young Leonardo DiCaprio. Onstage, this time, he speaks with his own, next to colleagues he has known for almost 20 years of sets.

Something nobody tells you about La cosa giusta with Dino Abbrescia and Massimo De Lorenzo at the Ambra Jovinelli, January 13-24, 2027

What goes unsaid is that the times of La cosa giusta change almost every night. Across 12 performances there are starts at 9:00 p.m., 7:30 p.m., 4:30 p.m. and 5:00 p.m.: on Thursday the 14th it starts at 7:30, on Thursday the 21st at 9, on Friday the 15th at 9, on Friday the 22nd at 7:30. It is a calendar designed to give different options to different audiences, but those who buy a ticket out of habit, without looking at the time, risk arriving after the show has started. The advice is to mark the exact time on the calendar as soon as you buy the ticket.

The second thing concerns the cast. The official presentation lists, besides the four actors, another actress still to be defined: the full cast, at the moment, is not closed. Those who want to know who will be onstage can check the theater's page in the weeks before the opening.

The third thing concerns the tone. The poster suggests a light comedy, and it is, but the presentation speaks of a spiral, of pressures, of an inevitable fall. As in Boris, behind the laughter there is a bitter look at Italy.

The advice I give you for visiting La cosa giusta with Dino Abbrescia and Massimo De Lorenzo at the Ambra Jovinelli, January 13-24, 2027

The advice is to choose the central orchestra, at a medium distance from the stage. In a dialogue comedy the comic timing passes through glances and pauses, and from the side galleries you hear everything but lose half the nuances. The Ambra, after the restoration, has two galleries held up by the original cast-iron columns: lovely to look at, less ideal for following faces.

Second piece of advice: choose the date by the time, not the day. Those who work in the center find the 7:30 p.m. performances of January 14, 20 and 22 convenient, which leave room for a real dinner afterward, those coming from outside Rome may prefer the afternoon performances of the 16th and the Sundays.

Third: if you have never seen Boris, watch a couple of episodes beforehand. It is not needed to understand the show, which is a standalone text, but you will recognize Ciarrapico's rhythm of writing and the complicity between De Lorenzo and Tiberi.

Finally, in our view, it is best not to go straight home: the Esquiline Hill at night is alive, and a walk to Piazza Vittorio or Monti is the best way to continue the discussion the show opens. Is stealing for a good cause right? The answer, at the table, will come by itself.

Another well-known fact, yet rarely mentioned

It is well known that Boris is one of the most loved and quoted Italian series, and that its authors are Giacomo Ciarrapico, Mattia Torre and Luca Vendruscolo. Less often remembered is that the trio was born in the theater: from 1994 to 2000 Ciarrapico wrote and directed his first comedies, Io non c'entro, Tutto a posto, Piccole anime and L'ufficio, with the collaboration of Torre and Vendruscolo, and with Massimo De Lorenzo among the performers. The language of Boris, that mix of cynicism and tenderness, was tried out first onstage, before the audiences of small Roman theaters.

A second little-cited fact concerns auteur cinema. In 2001 Ciarrapico's short film Dentro e fuori won the Sacher d'oro, the prize established by Nanni Moretti, and his first two films, Piccole anime and Eccomi qua, went to the Torino Film Festival. The director of a comedy about thieving priests has behind him a path in independent cinema.

The third concerns the actors: Dino Abbrescia comes from the Teatro dell'Elfo in Milan, one of the most rigorous schools of Italian theater, Claudia Potenza was nominated for the David di Donatello. The cast is a comedy cast, but the training is in drama, and in a text built on dialogue the difference shows.

The right photo to take at La cosa giusta with Dino Abbrescia and Massimo De Lorenzo at the Ambra Jovinelli, January 13-24, 2027

The photo to take is the facade, from the opposite sidewalk of Via Guglielmo Pepe, with the evening light and the show's poster in view. The upper part preserves the 1909 Art Nouveau design: the wavy entablature, the flower stuccoes, the shell with the human face at the center. In the evening, with the sign lit and the audience going in, it is the image that best tells of a theater born for variety and become the home of Roman comedy.

Inside, during the show, no photographing or filming: out of respect for the actors and those sitting next to you, and because in a comedy a lit phone breaks the comic timing for the whole hall. Before the start, if the staff allows, look up at the proscenium, where a plaque still records G. Jovinelli, 1909, and at the cast-iron columns that hold up the galleries: they are the original elements that survived the 1982 fire.

The last photo is taken on the way out, toward Piazza Vittorio, with the porticoes lit. For those choosing an afternoon performance, there is still the last light on leaving: the facade of Santa Maria Maggiore, 10 minutes away, is another framing not to be missed.

Some important events that took place here in history

The history of the Ambra Jovinelli reads by dates. On March 3, 1909 the theater opened with Raffaele Viviani and his sister Luisella, called by Giuseppe Jovinelli. In 1910 Ettore Petrolini signed with Jovinelli the contract that launched him, the documents of that relationship are kept in the Fondo Petrolini of the Biblioteca e Museo teatrale del Burcardo. Between 1919 and 1921 Totò made his debut and became the audience's favorite, presenting himself as an impersonator of Gustavo De Marco. In the 1940s and 1950s the hall also hosted boxing matches, with the ring set up in the theater.

In the 1950s it became a variety cinema under its current name, in the 1970s an adult cinema. On April 29, 1982, the fire. In July 1996 the occupation by young artists, in 1997 the ministerial protection of the facade, on January 25, 2001 the reopening as a comedy theater with Serena Dandini. On December 26, 2010 Fabrizia Pompilio's management began.

La cosa giusta fits into this history of rebirths with a new text by a Roman author: a comedy that talks about Rome, its outskirts and its churches, in a theater that was itself abandoned and then saved by those who decided to do the right thing.

Who has passed through La cosa giusta with Dino Abbrescia and Massimo De Lorenzo at the Ambra Jovinelli, January 13-24, 2027

The Ambra Jovinelli stage has seen more than a century of Italian comedy pass. In the Jovinelli family's era there were Raffaele Viviani, Ettore Petrolini, Gustavo De Marco, Totò, and then Gennaro Pasquariello, Armando Gill, Romolo Balzani, Claudio Villa, the De Rege brothers, Nino Taranto, Lino Banfi, Fiorenzo Fiorentini, Franco Franchi and Ciccio Ingrassia, Rita Pavone, Alberto Sordi, Fanfulla.

After the 2001 reopening came Ascanio Celestini, Marco Paolini, Lillo and Greg, Neri Marcorè, Valerio Mastandrea, Sabina and Corrado Guzzanti, Vincenzo Salemme, Lella Costa, Moni Ovadia, Silvio Orlando, Paolo Rossi. Under Fabrizia Pompilio's management, since 2010, the program has hosted Stefano Accorsi, Massimo Ranieri, Virginia Raffaele, Pierfrancesco Favino, Paola Cortellesi, Elio Germano, Francesco Pannofino and the plays of Mattia Torre.

From January 13 to 24, 2027 Dino Abbrescia, Massimo De Lorenzo, Alessandro Tiberi and Claudia Potenza pass through Via Guglielmo Pepe, directed by Giacomo Ciarrapico. Valerio Mastandrea and Francesco Pannofino, who have already been through here, starred in Ciarrapico texts, in Buttafuori and in È andata così: the Boris team, at the Ambra, plays at home.

Frequently asked questions about La cosa giusta at the Ambra Jovinelli

When is La cosa giusta on in Rome?

La cosa giusta is on at Teatro Ambra Jovinelli from January 13 to 24, 2027, with 12 performances. The times change: at 9:00 p.m. on January 13, 15, 16, 19, 21 and 23, at 7:30 p.m. on the 14th, 20th and 22nd, at 4:30 p.m. on Saturday the 16th, at 5:00 p.m. on Sundays the 17th and 24th.

Who acts in La cosa giusta?

In La cosa giusta the actors are Dino Abbrescia, Massimo De Lorenzo, Alessandro Tiberi and Claudia Potenza, with another actress still to be defined. Text and direction are by Giacomo Ciarrapico, with the collaboration of Carlo Quinto and the consultancy of Ivan Quintavalle.

What is La cosa giusta about?

La cosa giusta tells of three priests of a parish on the far outskirts of Rome who, after a silver plate impulsively taken from a senator's house, begin robbing the rich to help poor families, until an inevitable fall.

How do you buy tickets for La cosa giusta?

Tickets for La cosa giusta are bought from the show's page on the Teatro Ambra Jovinelli website, which links to the authorized presale network, or at the theater's box office on Via Guglielmo Pepe. Prices are shown at purchase.

What is the link between La cosa giusta and Boris?

La cosa giusta is written and directed by Giacomo Ciarrapico, one of the three authors of Boris, and onstage are Massimo De Lorenzo and Alessandro Tiberi, both in the cast of the series. It is an original stage text, not tied to the plot of Boris.

Where is Teatro Ambra Jovinelli?

Teatro Ambra Jovinelli is at Via Guglielmo Pepe 43, on the Esquiline Hill, near Piazza Vittorio and Termini station. The most convenient stop is Vittorio Emanuele on metro line A, the nearest railway station is Roma Laziali.

Is La cosa giusta suitable for teens?

La cosa giusta is a comedy suited to adults and teens from 14: the theme of thefts for a good cause opens moral questions easy to discuss after the show, with the ironic tone of the authors of Boris.

The final advice on La cosa giusta

La cosa giusta is the comedy to choose for those who loved Boris and want to find its outlook again in the theater, with two of its faces onstage and its author directing. In our view it is best to book a central orchestra seat, choose the date by looking at the time, arrive a quarter of an hour early to see the lit Art Nouveau facade and, on the way out, continue the discussion of what is truly right over a dish on the Esquiline Hill or in an osteria in Monti.

Article written by the editorial team of Tour Leader Pro, contact them for Private/Corporate/V.I.P. Tours and Experiences.

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