Brunori Sas at Auditorium Conciliazione in Rome, November 5 to 7, 2026

Brunori Sas brings TUTTOBRUNORI, Canzoni e Monologhi to Rome for three nights in a row, Thursday, November 5, Friday, November 6 and Saturday, November 7, 2026, at Auditorium Conciliazione, Via della Conciliazione 4 (00193 Rome), a short walk from Piazza Pia and Castel Sant'Angelo. The venue lists Ottaviano and Lepanto on Metro A as the metro stops, both about a kilometer away on foot. The nearest ATAC stop, Traspontina, is on the street of the same name, about 70 meters from the entrance. The show is listed as sold out on the venue's official website: the start time is printed on the ticket, prices were published on the presale network authorized by the organizers, and any tickets put back on sale will only be available there or on the venue's official website. The Auditorium's physical box office is closed until further notice. On show nights it opens an hour before the start, only for that performance.

Brunori Sas at Auditorium Conciliazione: the three nights in brief

Three dates, a 1,756-seat hall and a title that says it all: TUTTOBRUNORI is Brunori Sas's 2026 theater tour, and in Rome it takes over Auditorium Conciliazione from Thursday to Saturday of the first week of November. It's a short residency, the kind the venue reserves for artists who can fill the hall more than once: the same fall, Coez gets the same treatment, a few days before Brunori.

Dates and days of the week

Thursday, November 5, Friday, November 6, Saturday, November 7, 2026. The venue's official page gives the formula «dal 05 Novembre 2026 al 07 Novembre 2026» and the category Music. Thursday is the night for Romans leaving the office and rushing across the city, and Saturday is the night for groups and people coming from outside Rome. Friday, if you can choose, is the best compromise: weekday traffic still, but no alarm the next morning.

Sales status

On the show page, Auditorium Conciliazione states prominently that the show is sold out. This applies to the series of three nights as presented by the venue. If you don't have a ticket yet, think only in terms of possible releases on the official network, and nothing else.

Times and length

The start time of the three performances isn't on the venue's page: it's on the ticket. For other evening concerts the same venue has in the past announced a 21:00 start with foyer doors at 20:00, but that's a house habit, not a promise for this show. The length isn't published: a show that alternates songs and monologues, with the full band, should go in your diary as a full evening, with no tight plans afterward.

TUTTOBRUNORI, Canzoni e Monologhi: what kind of show it is

TUTTOBRUNORI, Canzoni e Monologhi is a completely new theater show in which Dario Brunori merges music, words and storytelling into a single narrative, joined on stage by his longtime band. That's how the venue presents it, and the description deserves to be taken literally, because it describes a precise format, not just a set list.

Songs, reflections, memories, stand-up

The official presentation speaks of songs interwoven with reflections, memories, stand-up and monologues. It isn't a concert with a couple of jokes between songs: it's a narrative in which the spoken word weighs as much as the sung one. If you know Brunori only from his songs, you'll find an extra register. If you've followed him for a while, you know that irony and a songwriter's sensitivity, the two qualities the venue credits him with, have always been his way of being on stage.

A look at his own story

The venue's text insists on one point: the show offers a complete look at the artist's story, at the present and at the ongoing dialogue between individual and community that runs through all his work. In plain terms for ticket buyers: don't expect only the latest record. The title itself, TUTTOBRUNORI, promises a journey through his whole career.

The set list

There's no published set list for the Rome dates, and it would be wrong to invent one. In a show like this, the set list matters less than the thread of the story: the order of the songs follows the narrative, and the narrative is the part that can shift a little each night. Three consecutive performances in the same hall, in front of a different audience each time, are exactly when a monologue gets adjusted and sharpened.

Who is Brunori Sas, starting from Dario Brunori

Brunori Sas is the project of Dario Brunori, a singer-songwriter the Rome venue describes as a master at mixing languages and registers, who comes to his 2026 theater tour after a year full of music, awards and new adventures. Those are the words Auditorium Conciliazione uses to present him, and they're enough to frame the character: a songwriter who likes to talk, and who can make a hall laugh without losing the thread of what he wants to say.

The year before the tour

The official presentation places TUTTOBRUNORI after an intense season and recalls, before the theater tour, the artist's first European tour, scheduled from December 2025. The move from Europe to Italian theaters says a lot about his priorities: after taking his songs abroad, Brunori returns, again in the venue's words, to one of the places that suit him best, the theater.

His longtime band

On stage there's no group of session players put together for the occasion: the venue specifies that Brunori is joined by his whole longtime band. In a theater that matters. A band that has played together for years handles the changes of pace of a spoken show, knows when to stop and when to start again, and gives the lead room to improvise without the music suffering.

Why the theater is the right place for Brunori Sas

In our view some artists get lost in an arena and find themselves in a seated hall, and Brunori Sas is one of them. His craft goes through words, and words need silence around them. A hall with seats, low lights and an audience that doesn't have to defend its square meter in front of the stage is where a monologue works.

Listening and storytelling

The venue calls TUTTOBRUNORI an experience of listening and storytelling at once. It's also the right way to decide if you should go: if you want a concert to sing standing up from start to finish, expect something different. If you love hearing a songwriter explain, digress, poke fun at himself and then launch into a song, it's the ideal evening.

A big hall that stays a theater

Auditorium Conciliazione holds up to 1,756 people: a lot for a spoken show, but spread across a hall the venue presents as completely renovated, with carefully designed acoustics. The delicate point in shows like this is getting the monologue across clearly to the last row. The hall is used to amplified speech, since the venue also hosts conferences and screenings as well as music, and that works in Brunori's favor.

A curious fact about Brunori Sas at Auditorium Conciliazione in Rome, November 5 to 7, 2026

The most concrete curiosity concerns the calendar: in the same week Auditorium Conciliazione hosts three Italian artists almost back to back, with Coez until November 1, Malika Ayane on the 3rd and Brunori Sas from the 5th to the 7th. It's not a sequence the hall builds by chance, and it shows well what this venue has become in recent years: a theater for drama and singer-songwriters a short walk from the Vatican, able to program singer-songwriters, comedians, musicals and magic in the same month.

A second, less obvious curiosity: the show's title is written in capitals, TUTTOBRUNORI, all one word. The wordplay is transparent: the evening isn't limited to one record or one phase of his career. It's a stock-taking title, and taking stock in a theater has a particular flavor: you stay seated, you listen, you laugh, you wait for the song you know and meanwhile discover the stories it came from.

A third curiosity, about the venue: Via della Conciliazione, which Brunori's audience will walk down on the way out, belongs to pilgrims and photographers by day and empties at night. At 23:00, with the dome at the end and the daytime crowds long gone, the street feels almost theatrical. Leaving a show of songs and monologues and finding that view in front of you is an end to the evening no other Rome theater can offer.

Finally, something regulars know and others don't: the Auditorium has its own bar-restaurant, Chorus Cafè, which the venue presents as one of its spaces, with drinks by bartender Massimo D'Addezio and food by chef Arcangelo Dandini. For a sold-out evening with three performances, having somewhere warm to wait inside the building isn't a minor detail.

Auditorium Conciliazione: what Brunori Sas's venue is like

Auditorium Conciliazione, opened in 1950, is at number 4 Via della Conciliazione, in the Borgo district, and its main hall holds 1,756 people. The venue describes itself as a place that has moved from culture to embracing the contemporary in all its forms: dance, music, visual arts, cinema, conferences. For a hall this size the location is rare: inside the historic center, a short walk from the Vatican.

The Sala Grande

The Sala Grande is where TUTTOBRUNORI takes place. The venue presents it as completely renovated, with capacity for up to 1,756 people and carefully designed acoustics. The official photos published by the Auditorium show diamond-cut wooden panels, a finish that is both decorative and acoustic: it breaks up flat surfaces and diffuses sound instead of bouncing it back.

The Foyer

The Foyer measures almost 800 square meters, has a LED wall system and can hold up to 1,000 people standing. It's the space where you wait for the hall to open and where the venue hosts conferences, cocktails and gala dinners. On a sold-out night like this it's also the meeting point: arrange to meet inside, not on the sidewalk.

Lucernario, Buvette and Chorus Cafè

Next to the Foyer the venue lists other rooms: the Sala del Lucernario, to the right of the Foyer, designed for private meetings and gatherings with speakers and journalists, with about 10 seats and artworks on the walls, the Buvette, on the opposite side, with about 20 seats, and Chorus Cafè, bar and restaurant. In one of the official photos a large skylight lights a stained glass window with winged figures from above: it's one of the least known corners of the building.

The facade

Coming from Piazza Pia, you see a pale stone building in line with the other buildings on the street. The photos published by the venue show, at the top, a sculpture group with two winged figures on either side of a coat of arms and, below, a Latin inscription in capitals. It's worth looking up as you arrive: almost nobody notices it, because everyone's eyes go to the end of the street, toward the dome.

A venue for conferences too

The venue stresses its conference role: a 1,756-seat main hall, flexible meeting rooms, up-to-date technology and a central location, close to Fiumicino airport, the stations, hotels and cultural sites. For audiences this double nature has a practical consequence: the hall is used to handling large flows of people coming in and going out, and the Foyer, almost 800 square meters, absorbs the wait easily.

If you want to know more about the venue, the full page on Auditorium Conciliazione is on estateromana.com.

Something nobody tells you about Brunori Sas at Auditorium Conciliazione in Rome, November 5 to 7, 2026

What almost nobody knows is that the Auditorium Conciliazione box office, the authorized sales point at number 4 Via della Conciliazione, is closed until further notice, and the ticket desk opens only an hour before the start and only for that evening's show. The venue says so on its contacts page. If you're used to stopping by the box office in the afternoon to collect, change or ask, you'll have to give that up: tickets are bought online or at another authorized sales point.

The second thing you won't read in the presentations concerns the address. The public hall is at Via della Conciliazione 4, but the contact and office addresses given by the venue point to Borgo Sant'Angelo 5, the street running behind the building, to the north. For the public the entrance remains on Via della Conciliazione, but if you need to deliver something or have an appointment with the offices, you should know the back exists.

The third point is the most useful if you have special needs: for tickets for people with disabilities, the venue asks you to write to its email address, info@auditoriumconciliazione.it, when the show's page gives no specific details. The TUTTOBRUNORI page doesn't. With a sold-out show, writing well in advance isn't a courtesy but a necessity.

Finally, a tip: the desk that opens an hour before also handles problems with names, printing and changes. Arriving with 40 minutes to spare, not at the last minute, is the simplest way not to spend the first monologue in line.

How to get to Auditorium Conciliazione for Brunori Sas

To reach Auditorium Conciliazione the venue suggests Metro A, getting off at Ottaviano or Lepanto. From Ottaviano to the entrance at Via della Conciliazione 4 it's about 900 meters, and from Lepanto about a kilometer. On a November weeknight the metro is still the most reliable option, because traffic between Prati and the Tiber embankment at dinner time is unforgiving.

By metro, line A

Ottaviano is the most convenient: you come out on Viale Giulio Cesare or Via Ottaviano and head down toward Piazza del Risorgimento, then continue along Borgo Pio to Via della Conciliazione. The route is flat and takes a quarter of an hour at an easy pace. Lepanto is slightly farther and takes you across Prati via Piazza Cavour, in front of the Palace of Justice, and then Piazza Adriana. Around Ottaviano there are construction sites for the new Line C station: sidewalks and crossings may have temporary routes, so follow the signs, not your memory.

By bus

The nearest ATAC stop is Traspontina, on Via della Traspontina, about 70 meters from the entrance, and it's wheelchair accessible. Other useful stops are Paola, on the other side of the Tiber beyond Ponte Sant'Angelo, Piazza della Rovere toward the Janiculum, the stops on Via Crescenzio in Prati and those on Piazza Cavour. The lines serving each stop are shown on the pole and on the transit company's website: in the evening frequencies and routes change, so check them on the day.

By tram

The nearest tram stop is Ottaviano, on Via Barletta, next to the metro station. From there the same route and walking times as for the metro apply.

From the airports and Termini

From Fiumicino, the venue suggests the Leonardo express regional train to Roma Termini, about half an hour, then Metro A toward Battistini to Lepanto or Ottaviano. From Ciampino it suggests the shuttles to Termini and then the same metro route. If you arrive at Termini by train for the concert, it's the same: Metro A toward Battistini, then on foot from Ottaviano.

From San Pietro station

If you travel on regional trains that stop at Roma San Pietro, the station is about a kilometer as the crow flies from the Auditorium. On foot you head up toward St. Peter's Square, skirt the colonnade and turn into Via della Conciliazione from the basilica end: it's longer than it looks on the map, but pleasant in the evening.

By car

The venue publishes two routes. From the north, from the A1 toward the Grande Raccordo Anulare, exit Roma Centro, Salaria or Flaminia, then Via Flaminia Nuova, Corso Francia, Lungotevere Michelangelo, Lungotevere dei Mellini and Piazza Adriana. From the south, from the A1 toward the A24, exit toward Foro Italico, Nomentano, Salario and Tiburtina station, then the Tangenziale Est, exit Tiburtina station and Largo Camesena, then Via Tiburtina, Via Catania, Via Morgagni, Corso d'Italia and Piazza Adriana. Either way the last stretch goes through Piazza Adriana, behind Castel Sant'Angelo. The historic center has limited traffic zone gates: before getting in the car, check active hours and gates, and choose a parking lot outside the controlled zone.

Parking

The venue lists four parking options: Piazza Cavour lot, public and paid, about 9 minutes on foot, Piazza Adriana parking area, public and paid, about 6 minutes, Terminal Vaticano, private and paid, at Via Urbano VIII 16, about 5 minutes, and Parking Gran Melia, private and paid, at Via del Gianicolo 2, about 8 minutes. With three sold-out nights, Piazza Adriana fills up first. Aim for one of the garages and note its closing time, because coming out of a long show to find the barrier down is a Roman evening classic.

By taxi

A taxi is the most sensible option if you're in a group or with older people. At the exit, though, finding a free one on Via della Conciliazione after a show with more than a thousand people takes patience: book in advance with an approximate time, or walk toward Piazza Pia or the embankment, where traffic flows better.

My tip for seeing Brunori Sas at Auditorium Conciliazione in Rome, November 5 to 7, 2026

My advice if you have a ticket for TUTTOBRUNORI is simple: get to Borgo at least an hour early, eat light nearby and be in the Foyer about 20 minutes before the doors open. With a 1,756-seat hall sold out three nights running, getting in is the only moment of the evening when you really feel the crowd, and handling it calmly changes the tone of everything else.

Second tip: choose your night wisely. Thursday usually brings mostly people who live and work in the city, Saturday more people from out of town. If you still have some choice, for example because you're waiting for tickets to be released on the official network, go for Friday: in my experience it's the night spoken-word shows find the most attentive audience.

Third tip, perhaps the most important: don't treat TUTTOBRUNORI as a concert where you go in, sing and leave. A show that alternates songs and monologues asks you to come in with a clear head. Really turn off your phone, not just the ringer: in a seated hall, a lit screen during a monologue disturbs 10 rows. And if you're in a group, sit together, because shared laughter is half the fun.

Fourth tip, for the way out: don't rush to public transport. Walk along Via della Conciliazione toward St. Peter's Square for 10 minutes, to the colonnade, and then come back. After a show about personal history and community, that night walk gives what you've heard time to settle. Then, if needed, the Ottaviano metro is a quarter of an hour away.

Tickets for Brunori Sas at Auditorium Conciliazione: sold out and venue rules

Tickets for TUTTOBRUNORI at Auditorium Conciliazione are listed as sold out for November 5, 6 and 7, 2026, according to the show's official page on the venue's website. On the Auditorium's official website, the Tickets button leads to the presale network authorized by the organizers.

Where to buy, if seats free up

The venue is explicit: tickets are bought online or at another authorized sales point, because the box office on Via della Conciliazione is closed until further notice. Any seats put back on sale appear on the presale network authorized by the organizers, reached from the venue's official website. No other channel offers guarantees: with a sold-out show, tickets offered at inflated prices by strangers are the first risk to avoid.

Prices

Prices for the sections were published by the authorized seller named by the organizers at the time of sale. For a sold-out show there's no point in listing them here: the only valid reference is what appears on the official network if and when seats are put back on sale.

The desk on show night

The Auditorium box office is open from an hour before the start for that evening's show. It handles practical matters for the current performance, not sales for other dates or shows.

Tickets for people with disabilities

For tickets for people with disabilities, the venue asks you to write to info@auditoriumconciliazione.it when the show's page gives no details. The venue's phone number is 06 684391.

Another well-known fact that rarely gets mentioned

It's well known that Auditorium Conciliazione is a concert hall. Much less often mentioned is that it has also been a home for cinema, hosting in 2023 the 21st edition of Alice nella Città within the Rome Film Fest and a world preview of Mission: Impossible, Dead Reckoning Part One. The venue itself recalls this in the materials on its website, and the fact changes the way you see the hall.

A hall that screens world previews and hosts the official program of a section of the city's film festival for 12 days, from October 18 to 29, 2023 in the case of Alice nella Città, is a hall built for front-facing listening, with good sightlines from every seat and a sound system that carries speech everywhere. Those are exactly the qualities a show like TUTTOBRUNORI needs, where the speaking voice counts as much as the singing one.

There's a second fact known to people in the events business and almost ignored by the public: the Auditorium has hosted conferences and institutional events for years. The venue recalls, for example, hosting the Stati Generali della Natalità in 2023 for the third year in a row. So the same stage Brunori will step onto has seen speakers, orchestras, comedians, singer-songwriters and musical companies.

This mix is the hall's strength. It doesn't have the intimidating aura of the great temples of classical music, nor the anonymity of arenas: it's a working theater for the city, used to changing its skin from one night to the next. Brunori, who loves mixing languages and registers, finds a stage here that fits his way of working.

Accessibility: Brunori Sas at Auditorium Conciliazione by wheelchair and with special needs

For tickets for people with disabilities, Auditorium Conciliazione asks you to write to info@auditoriumconciliazione.it, since the TUTTOBRUNORI page gives no specific details. It's the first step, and it should be taken early, because accessible seats are few in any hall and the show is sold out.

Arriving without barriers

Of the two metro stations the venue lists, Ottaviano is the one equipped for wheelchair access, although not all its entrances are. Lepanto isn't. The Traspontina bus stop, the closest to the Auditorium, is accessible. The walk from Ottaviano is flat but crosses busy intersections and construction stretches: with a manual wheelchair it's best to have someone with you, or take a taxi to the entrance.

Inside the hall

Public accessibility maps describe the building's accessibility as partial. Confirm where the reserved seats are, and access to the Foyer and restrooms, directly with the venue, by email or at 06 684391. If you have hearing difficulties, choose central seats toward the front of the orchestra: in a show where the monologue counts as much as the song, being close to the stage matters.

Brunori Sas with children and teens

TUTTOBRUNORI is an evening show designed for adults, and the venue gives no recommended age range or discounts for children. That doesn't mean young people can't enjoy it: it depends on their age and how used they are to theater.

From what age

On age: under 10 the evening is long and the hours are for adults. Between 10 and 14, with a child who knows and loves the songs, it can be an excellent first experience of song theater. For a teenager used to standing concerts, discovering an artist who talks, tells stories and makes people laugh between songs can be a small revelation.

How to organize with kids

Every audience member takes a seat and needs their own ticket, and entry rules for minors should be checked with the venue. Bring something to eat before going in, because dinner in Borgo with a tired child and the clock ticking is never relaxing. And choose Saturday if you can: there's no school the next day.

The right photo to take at Brunori Sas at Auditorium Conciliazione in Rome, November 5 to 7, 2026

The right photo on the night of TUTTOBRUNORI isn't taken in the hall but outside: in front of the entrance at Via della Conciliazione 4, turning west, with the dome of St. Peter's at the end of the street's perspective. It's a shot that combines the venue and Rome's most recognizable monument, and in the evening, with the street almost empty, it works even with a phone.

The trick is simple: stand on the Auditorium side of the sidewalk, keep the lit entrance at the edge of the frame and center the line of the street, which leads the eye toward the square. If you want an extra detail, tilt up to the top of the building: the sculpture group with two winged figures and the Latin inscription, visible in the venue's official photos, gives character to a photo that would otherwise look like a thousand others.

A second possible photo, if you arrive a few minutes early: from Piazza Pia, about 70 meters from the entrance, you have the bulk of Castel Sant'Angelo behind you and the start of Via della Conciliazione in front. It's the photo that shows where the hall is, between the castle and the basilica.

In the hall, the rules are set by the artist and the venue, and in a spoken show common sense is clear: no flash, no video during monologues, no raised screens in front of the people behind. If you really want a memento, photograph the stage before the start or during the final applause. Believe me, the best photo of the evening is still the street at night on the way out.

One last note for serious photographers: the lighting on Via della Conciliazione is warm and even, and the lit dome at the end tends to blow out in long exposures. Expose for the dome and let the street stay a little darker: the perspective still reads.

Borgo and Prati around the Brunori Sas concert

Auditorium Conciliazione is in the Borgo district, between Castel Sant'Angelo, about 230 meters away, and St. Peter's Square, about half a kilometer away: few theaters in the world have such dense surroundings. If you arrive an hour early, or are staying in the area, you can build a short evening walk around the show without going more than 10 minutes on foot. For a full picture of the neighborhood there's the guide Prati and Borgo: what to see between the Vatican and Castel Sant'Angelo.

Castel Sant'Angelo and the bridge

About 230 meters from the entrance, beyond Piazza Pia, rises Castel Sant'Angelo. In the evening the lit castle dominates the embankment and frames any walk. Ponte Sant'Angelo, pedestrian only, is about 250 meters away and leads to the other bank, toward the Ponte district. Crossing it before the show, there and back, takes a quarter of an hour and is the best way to reach the hall with a clear head.

St. Peter's Square and the basilica

At the end of Via della Conciliazione opens St. Peter's Square, about half a kilometer from the Auditorium, with St. Peter's Basilica at the far end. In the evening the square is open and walkable, and the atmosphere is completely different from the daytime crowds. If you're coming from outside Rome and have only one evening, walking to the colonnade before the concert is a chance not to miss.

The Passetto di Borgo

The Passetto di Borgo is just under half a kilometer from the Auditorium, among the district's streets. Following it with your eyes from Borgo Pio or Borgo Sant'Angelo helps you understand the neighborhood's layout better than any map.

Santo Spirito in Sassia

Toward the Tiber, about 200 meters away, is the Santo Spirito in Sassia complex, with the hospital and the church of Santo Spirito in Sassia. It's the side of the district concertgoers see least, because it lies off the route between the metro and the hall, and that's exactly why it's worth a detour if you arrive early.

Borgo Pio

Borgo Pio is the district's pedestrian street, about 250 meters from the Auditorium, parallel to Via della Conciliazione to the north. It's the most natural place to look for a table before the show or a drink after, and the quietest way to walk to the hall from the Ottaviano metro. For the history and character of the neighborhood, see the page on the Borgo district.

Prati and Piazza Cavour

Beyond Piazza Adriana begins Prati, with Piazza Cavour and the Palace of Justice about 600 meters away and Via Cola di Rienzo a little farther. It's a neighborhood of wide avenues and bourgeois buildings, with a wider choice of bars and restaurants than Borgo and generally more reasonable prices than the streets facing the Vatican.

Some important events that happened here

Auditorium Conciliazione opened in 1950 and has since gone through more than 70 years of Roman cultural life, moving from a traditional cultural venue to a hall open to every contemporary form, from dance to music, from visual arts to cinema. That's how the venue tells its own story, and some recent moments documented by the hall help show its weight.

In 2023 the Auditorium hosted a world preview of Mission: Impossible, Dead Reckoning Part One, one of the most anticipated films of that year. That same year, from October 18 to 29, it hosted the 21st edition of Alice nella Città, with its official program, within the Rome Film Fest. Also in 2023 the hall hosted the Stati Generali della Natalità for the third year in a row, confirming its role as a conference venue.

2024 opened with the 20th edition of Supermagic, from January 25 to February 4, which the venue presents as the biggest magic show in Europe, and with four nights of Queen at the Opera, the symphonic rock show with a 30-piece ensemble. In May 2024 MAGIC, the International Magic Gala, returned for the 10th edition of an annual event launched in 2014.

Between January 16 and February 16, 2025, in the Jubilee year, the hall staged Bernadette de Lourdes for a month, a musical about the Marian apparitions at Lourdes with music by Grégoire and direction by Serge Denoncourt, performed in Rome only in this hall. It's an episode that ties the Auditorium to its location, a short walk from the Vatican.

Among its school events, the venue recalls Mozart's The Magic Flute in the version by the Europa InCanto project, which involves tens of thousands of students and was recognized by the Ministry of Education as a project of excellence. It's a less visible piece of history, but it shows a hall that doesn't live on big names alone.

Where to eat before or after Brunori Sas

The most convenient place to eat before TUTTOBRUNORI is inside the building: Chorus Cafè, the Auditorium Conciliazione bar-restaurant, with drinks by bartender Massimo D'Addezio and food by chef Arcangelo Dandini. The venue presents it as one of the city's lounges, a short walk from St. Peter's. For a sold-out evening, eating in the same building as the theater removes the risk of being late, but booking is recommended.

Borgo: convenience and tourist-area prices

The streets of Borgo, starting with Borgo Pio, have trattorias, pizzerias and places largely geared to the flow of Vatican visitors. Quality varies and prices reflect the closeness to St. Peter's. Avoid places with photo menus displayed in four languages and prefer those where, at 20:00, you hear Roman being spoken at the tables.

Prati: more choice, more space

10 minutes on foot, beyond Piazza Adriana and around Via Cola di Rienzo and Piazza Cavour, Prati offers more: pizza by the slice for a quick dinner, neighborhood trattorias, wine bars with food and aperitivo bars. It's the right area if you're arriving by metro from Lepanto or Ottaviano and want to eat along the way, without moving again.

After the show

At the exit, between 23:00 and midnight, Borgo tends to close early. If you want a drink or a bite after the show, cross Ponte Sant'Angelo toward the Ponte district or head toward Prati, where places stay open later. In November, after so many songs and words, a walk along the embankment before sitting down is almost a must.

Who has passed through Auditorium Conciliazione

Before Brunori Sas, the Auditorium Conciliazione stage has hosted singer-songwriters such as Vinicio Capossela, who brought his Tredici canzoni urgenti in teatro on October 13 and 14, 2023, and bands such as Fast Animals and Slow Kids, who played on April 19, 2023. The hall keeps a record of these visits in the materials it publishes, and the list says a lot about its audience.

2023 was a particularly rich year. On April 6 Alessandro Cattelan presented Salutava sempre, on April 21 Franco Ricciardi brought the Je Tour, tied to his 24th album, and on May 19 and 20 Paola e Chiara got the hall dancing with the Per Sempre Tour. In October the Orchestra Italiana del Cinema, with 80 musicians, played the score of Pirates of the Caribbean: The Curse of the Black Pearl live during a screening of the film, as part of the Roma Film Music Festival.

In 2024 the hall hosted, among others, Pio e Amedeo with Felicissimo show for three nights in March, and on March 8 the LAZIOSound evening, the Lazio Region's program for young musicians, with Noemi and Federica Carta. On January 12, 2026 it was Diana Del Bufalo's turn with Tra sogni e desideri.

The program around TUTTOBRUNORI tells the same story of variety. In fall 2026 the venue scheduled Aldo Cazzullo with Angelo Branduardi on October 8, Sal Da Vinci on October 9, the show Deledda on October 17, Coez from October 30 to November 1, Malika Ayane on November 3, Enrico Brignano from November 10 to 22, The Nutcracker on November 27 and Francesca Michielin on November 28.

In this list Brunori has a precise place: he's the artist who best brings together the hall's two souls, singer-songwriter music and spoken shows. Capossela on the song side, Cattelan and Pio e Amedeo on the spoken side: TUTTOBRUNORI is, in a way, a blend of both.

How to plan the Brunori Sas evening, hour by hour

An evening at TUTTOBRUNORI at Auditorium Conciliazione is easy to plan if you start from the time printed on your ticket and count back: an hour and a half for dinner and a walk, 20 minutes to get in, plus margin for transport. Here's the suggested plan.

Two hours before

Arrive in the area, by metro to Ottaviano or with the car already parked in a garage. Walk to St. Peter's Square or to Castel Sant'Angelo, depending on where you're coming from. November means early darkness: the light is already evening light, and the monuments are lit.

An hour and a half before

Dinner, at Chorus Cafè inside the Auditorium if you've booked, or in Borgo Pio or Prati. Eat light: in a seated hall, after a heavy dinner, the second monologue becomes an endurance test.

Half an hour before

Into the Foyer. It's time for the coat check, restrooms and last messages. The desk, if needed, has been open for an hour. If you have central seats, go in early: long rows fill from the outside in, and standing up 10 times to let others through isn't the best way to start.

After the show

Leave without rushing, walk along Via della Conciliazione, then metro, a booked taxi or the car. If you're from out of town and need to catch a train, don't count on the last useful one: between leaving the hall, the walk and the change at Termini, you need plenty of margin.

November in Rome: what to expect from the weather and the city

Brunori Sas's three nights at Auditorium Conciliazione fall in the first week of November, when Rome alternates clear, mild days with sudden rain, and it gets dark early. For an indoor event that's an advantage: no temptation to stay outside, and a city calmer than in spring and summer.

What to wear

Layers, above all. In the hall the temperature is theater-warm, outside the evening can be damp and cool, and the walk along the embankment after the show is only pleasant with a real jacket. A folding umbrella in your bag is never wasted in Rome in November. Comfortable shoes matter more than elegance: between the metro and the hall you walk almost a kilometer, on sidewalks that aren't always even.

The city around you

The first days of November come right after the All Saints' long weekend: tourist numbers drop, and the Vatican is less crowded in the evening than in summer. If you're from out of town, it's a good time to pair the show with a visit to the Vatican Museums or the basilica the next morning, staying in the area.

The Auditorium Conciliazione season around Brunori Sas

TUTTOBRUNORI is part of an Auditorium Conciliazione 2026-2027 season that ranges from singer-songwriters to musicals, from comedy to magic, and runs until spring 2027. If you couldn't get a seat for Brunori, or want to come back, the calendar has plenty of alternatives.

After Brunori, until the end of the year

After Brunori's three nights, the venue announces Enrico Brignano from November 10 to 22, Non aprite quel teatro on November 16, The Nutcracker on November 27, Francesca Michielin on November 28, Harry Potter and the Deathly Hallows, Part 2 in concert on December 5 and 6, and Gloria, the musical, from December 16, 2026 to January 10, 2027.

2027

The new year opens with Supermagic Impossibile from January 21 to February 7, then Shen Yun from February 12 to 28, Valentina Persia on March 8, Alessandro Siani from March 12 to 14, Luca Ravenna on March 19 and Paolo Crepet on April 27. It's a program that confirms the hall's nature: popular in the best sense, able to bring different audiences together without losing the thread.

Frequently asked questions about Brunori Sas in Rome

When does Brunori Sas play Auditorium Conciliazione?

Brunori Sas is at Auditorium Conciliazione in Rome for three nights in a row: Thursday, November 5, Friday, November 6 and Saturday, November 7, 2026. The show is TUTTOBRUNORI, Canzoni e Monologhi, the artist's 2026 theater tour. The start time isn't published on the venue's page and is printed on the ticket.

Are there still tickets for Brunori Sas in Rome?

The Brunori Sas concert at Auditorium Conciliazione is listed as sold out on the venue's official page. Any seats put back on sale appear only on the presale network authorized by the organizers, reached from the Auditorium's official website. Other channels give no guarantee that the ticket is valid.

Where is Auditorium Conciliazione?

Auditorium Conciliazione is at Via della Conciliazione 4, 00193 Rome, in the Borgo district, about 230 meters from Castel Sant'Angelo and about half a kilometer from St. Peter's Square. The public entrance is on Via della Conciliazione, about 70 meters from Piazza Pia.

What is the nearest metro stop to Auditorium Conciliazione?

For Auditorium Conciliazione the venue lists the Ottaviano and Lepanto stops on Metro A. From Ottaviano, the most convenient and the one equipped for wheelchair access, it's about 900 meters on foot, a quarter of an hour at an easy pace via Piazza del Risorgimento and Borgo Pio.

Where can you park for the Brunori Sas concert?

For Auditorium Conciliazione the venue lists Piazza Cavour lot and Piazza Adriana parking area, public and paid, Terminal Vaticano at Via Urbano VIII 16 and Parking Gran Melia at Via del Gianicolo 2, private and paid. All are 5 to 9 minutes on foot from the hall.

What kind of show is TUTTOBRUNORI?

TUTTOBRUNORI, Canzoni e Monologhi is a new theater show in which Brunori Sas merges music, words and storytelling: songs interwoven with reflections, memories, stand-up and monologues. His longtime band joins him on stage. It's an evening of listening and storytelling, to enjoy seated.

Is the Auditorium Conciliazione box office open?

The Auditorium Conciliazione box office at Via della Conciliazione 4 is closed until further notice. On each show night the desk opens an hour before the start, only for that evening's performance. Otherwise tickets are bought online or at another authorized sales point.

How do you book seats for people with disabilities?

For tickets for people with disabilities, Auditorium Conciliazione asks you to write to info@auditoriumconciliazione.it when the show's page gives no specific details, as is the case for Brunori Sas. The venue's phone number is 06 684391. With a sold-out show, act well in advance.

Final advice on Brunori Sas at Auditorium Conciliazione

If you have a ticket, treat these three nights as an evening at the theater, not just any concert: arrive early, eat light, go into the hall with a clear head and leave calmly, walking along Via della Conciliazione toward the square before heading home. If you don't have a ticket, keep an eye only on the official network and ignore everything else. And if you're with a group, the rule is this: meet inside the Foyer, never on the sidewalk, and book a taxi for anyone who needs one. Brunori, in a hall like this, deserves an attentive audience: the evening will repay you.

Article written by the editorial team of Tour Leader Pro, contact them for Private/Corporate/V.I.P. Tours and Experiences.

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